MARC Record from marc_columbia

LEADER: 05763cam a2200697 i 4500
001 15000596
005 20220627133547.0
006 m o d
007 cr |||||||||||
008 181217t20192019enka ob 001 0 eng
010 $a 2018059873
035 $a(OCoLC)on1078636210
035 $a(NNC)15000596
040 $aDLC$beng$erda$epn$cDLC$dN$T$dYDX$dOCLCO$dOCLCF$dYDX$dEBLCP$dUKMGB$dUKAHL$dUWO$dOTZ$dTEF$dK6U$dOCLCO
015 $aGBB8M9977$2bnb
016 7 $a019161312$2Uk
019 $a1079008630
020 $a9781351330206$q(electronic book)
020 $a1351330209$q(electronic book)
020 $a9781351330190$q(electronic book)
020 $a1351330195$q(electronic book)
020 $a9781351330183$q(kindle edition)
020 $a1351330187$q(kindle edition)
020 $a9780203701324$q(electronic book)
020 $a0203701321$q(electronic book)
020 $z9781138574014$q(hardcover)
024 7 $a10.4324/9780203701324$2doi
035 $a(OCoLC)1078636210$z(OCoLC)1079008630
037 $a9781351330190$bIngram Content Group
042 $apcc
050 14 $aPN1575.5$b.P48 2019
072 7 $aPER$x009000$2bisacsh
082 00 $a791$223
049 $aZCUA
245 00 $aPerforming arts in transition :$bmoving between media /$cedited by Susanne Foellmer, Maria Katharina Schmidt, and Cornelia Schmitz.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2019.
264 4 $c©2019
300 $a1 online resource (xvii, 255 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge advances in theatre and performance studies
520 $a"Performing artists - especially from dance and performance art, as well as opera - are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become central to any discussion of performance. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that which 'survives' it. Case studies from a broad range of interdisciplinary scholars address phenomena such as: - the dynamics of transfer between the performing and visual arts - the philosophy and terminologies of transitioning between media - narratives and counternarratives in historical re-creations - the status of chronology and the document in art scholarship This is an essential contribution to a vibrant, multidisciplinary and international field of research emerging at the intersections of performance, visual arts, and media studies"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aDance, performance, media, transfer: sketching notions and problems in the field / Susanne Foellmer -- Non-time of lived experience: colour, action, and dance in Hélio Oiticica's early works / André Lepecki -- Embodying, repeating, and working-through: the artistic practice of Rebecca Davis and Abigail Levine in the context of their re-enactments of Marina Abramovic's performances / Joy Kristin Kalu -- Micro-dramaturgical temporalities of media theatre: on the difference between performative and operative re-enactment / Wolfgang Ernst -- Trans(pos)ition: in the language of the curatorial / Beatrice von Bismarck -- Performative contours / Nicole Haitzinger -- Thumb and index mode: performance, digital art, and the ORLAN Network / Wolf-Dieter Ernst -- Videoed memories and movements, rediscovered and regained: "It's aching like birds" (2001) / Ulrike Hanstein -- The deadness of live opera / Christopher Morris -- The equally-valid image: considerations on Ragnar Kjartansson's art of challenging the hierarchy between attending a performance and relying on its photographic remains / Sandra Umathum -- Dance and building in dialogue: five propositions on the relationship between Trisha Brown's choreography and Diller + Scofidio's architecture / Susan Rosenberg -- On the margins of histories: trans-fusions between document and performance / Gabriele Brandstetter -- "Our method is transmission": the body as document in Christina Ciupke's and Anna Till's Undo, redo and repeat (2014) / Daniela Hahn -- Visible undercurrent, New York Berlin 1980/90-2014. reconsidering histori/es' negotiating the now / Kirsten Maar, Peter Pleyer -- Pictures, texts, sounds, zoo animals' on the materiality of documents / Renate Wöhrer -- Capturing dance: a report on a project in artistic research / Franz Anton Cramer, Sigrid Gareis, Alexandra Hennig -- Unseen: photography as a document of dance history writing / Isa Wortelkamp.
588 0 $aOnline resource; title from digital title page (viewed on January 24, 2019).
650 0 $aPerforming arts archives.
650 0 $aArts$xDocumentation.
650 6 $aArchives des arts du spectacle.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aArts$xDocumentation.$2fast$0(OCoLC)fst00817742
650 7 $aPerforming arts archives.$2fast$0(OCoLC)fst01894932
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aFoellmer, Susanne,$eeditor.
700 1 $aSchmidt, Maria$q(Maria Katharina),$eeditor.
700 1 $aSchmitz, Cornelia,$d1981-$eeditor.
776 08 $iPrint version:$tPerforming arts in transition.$dAbingdon, Oxon ; New York, NY : Routledge, 2019$z9781138574014$w(DLC) 2018040156
830 0 $aRoutledge advances in theatre and performance studies.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15000596$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS