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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-031.mrc:131654953:5684
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:131654953:5684?format=raw

LEADER: 05684cam a2200829 i 4500
001 15094589
005 20220528232222.0
006 m o d
007 cr cnu---unuuu
008 131118s2013 nyua ob 001 0 eng d
035 $a(OCoLC)ocn863157292
035 $a(NNC)15094589
040 $aN$T$beng$erda$epn$cN$T$dYDXCP$dIDEBK$dZMC$dOCLCO$dOCLCF$dOCLCQ$dOCLCO$dTYFRS$dOCLCQ$dE7B$dOCLCO$dOCLCQ$dOCLCO$dOCLCQ$dOCL$dMOR$dVGM$dOCLCQ$dSAV$dOCLCA$dINT$dOCLCQ$dAU@$dOCLCO$dUKAHL$dOCLCQ$dOCLCO$dOCL$dSFB$dLEAUB$dOCLCQ$dOCLCO
019 $a863041725$a868980557$a966191351$a966473860$a1086541671
020 $a9781134102839$q(electronic bk.)
020 $a1134102836$q(electronic bk.)
020 $a1306114845$q(ebk)
020 $a9781306114844$q(ebk)
020 $a9780203366196$q(e-book)
020 $a0203366190$q(e-book)
020 $a9781134102976$q(e-book ;$qMobi)
020 $a1134102976
020 $a9781134102907$q(e-book ;$qePub)
020 $a1134102909
020 $a9781138243330$q(paperback)
020 $a1138243337
020 $z9780415504508
020 $z0415504503
035 $a(OCoLC)863157292$z(OCoLC)863041725$z(OCoLC)868980557$z(OCoLC)966191351$z(OCoLC)966473860$z(OCoLC)1086541671
037 $a542735$bMIL
043 $aa-ja---
050 4 $aNX180.G56$bM36 2013eb
072 7 $aART$x010000$2bisacsh
082 04 $a741.5/952$223
084 $aLIT017000$aART019000$aART023000$2bisacsh
049 $aZCUA
245 00 $aManga's cultural crossroads /$cedited by Jaqueline Berndt and Bettina Kümmerling-Meibauer.
264 1 $aNew York :$bRoutledge,$c2013.
300 $a1 online resource (xii, 270 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge advances in art and visual studies ;$v5
520 $a"Focusing on the art and literary form of manga, this volume examines the intercultural exchanges that have shaped manga during the twentieth century and how manga's culturalization is related to its globalization. Through contributions from leading scholars in the fields of comics and Japanese culture, it describes "manga culture" in two ways: as a fundamentally hybrid culture comprised of both subcultures and transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a special focus on the best-selling manga franchise, NARUTO"--$cProvided by publisher
505 00 $tIntroduction: Studying Manga across Cultures /$rJacqueline Berndt and Bettina Kümmerling-Meibauer --$gPart 1.$tCross-Cultural Perspectives on Manga.$tThe View from North America: Manga as Late-Twentieth-Century Japonisme? /$rFrederik L. Schodt --$tManga as Schism: Kitazawa Rakuten's Resistance to "Old-Fashioned" Japan /$rRonald Stewart --$tTatsumi Yoshihiro's Gekiga and the Global Sixties: Aspiring for an Alternative /$rShige (CJ) Suzuki --$tThe Intercultural Challenge of the "Mangaesque": Reorienting Manga Studies after 3/11 /$rJacqueline Berndt --$tManhwa in Korea: (Re- )Nationalizing Comics Culture /$rYamanaka Chie --$tManga/Comics Hybrids in Picturebooks /$rBettina Kümmerling-Meibauer --$tTentacles, Lolitas, and Pencil Strokes: The Parodist Body in European and Japanese Erotic Comics /$rElisabeth Klar --$tSocial Networking Services as Platforms for Transcultural Fannish Interactions: DeviantART and Pixiv /$rNele Noppe --$gPart 2.$t"Naruto" as Cultural Crossroads.$t"Naruto" as a Typical Weekly Magazine Manga /$rOmote Tomoyuki --$tWomen in "Naruto", Women Reading "Naruto" /$rFujimoto Yukari --$tFanboys and "Naruto" Epics: Exploring New Ground in Fanfiction Studies /$rJessica Bauwens-Sugimoto and Nora Renka --$tThe Traditional Naruto (Maelstrom) Motif in Japanese Culture /$rFranziska Ehmcke --$tAuteur and Anime as Seen in the Naruto TV Series: An Intercultural Dialogue between Film Studies and Anime Research /$rGan Sheuo Hui --$tPlaying "Naruto": Between Metanarrative Characters, Unit Operations, and Objects /$rMartin Roth.
504 $aIncludes bibliographical references and index.
505 0 $aCrosscultural Perspectives on Manga -- "Naruto" as Cultural Crossroads.
588 0 $aPrint version record.
650 0 $aArts and globalization$xHistory$y20th century.
650 0 $aArts and society$xHistory$y20th century.
650 0 $aComic books, strips, etc.$zJapan$xHistory and criticism.
650 6 $aArts et mondialisation$xHistoire$y20e siècle.
650 6 $aArts et société$xHistoire$y20e siècle.
650 7 $aLITERARY CRITICISM$xComics & Graphic Novels.$2bisacsh
650 7 $aART$xAsian.$2bisacsh
650 7 $aART$xPopular Culture.$2bisacsh
650 7 $aART$xTechniques$xDrawing.$2bisacsh
650 7 $aArts and globalization.$2fast$0(OCoLC)fst00817850
650 7 $aArts and society.$2fast$0(OCoLC)fst00817856
650 7 $aComic books, strips, etc.$2fast$0(OCoLC)fst00869145
651 7 $aJapan.$2fast$0(OCoLC)fst01204082
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aBerndt, Jaqueline,$d1963-$eeditor.
700 1 $aKümmerling-Meibauer, Bettina,$eeditor.
776 08 $iPrint version:$tManga's cultural crossroads$z9780415504508$w(DLC) 2012046639$w(OCoLC)758394628
830 0 $aRoutledge advances in art and visual studies ;$v5.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15094589$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS