MARC Record from marc_columbia

LEADER: 03589cam a2200649 i 4500
001 15094127
005 20220528232211.0
006 m o d
007 cr cnu---unuuu
008 131104s2013 nyua ob 001 0 eng d
035 $a(OCoLC)ocn862077417
035 $a(NNC)15094127
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019 $a868972021$a1086531980
020 $a9780203097212$q(electronic bk.)
020 $a0203097211$q(electronic bk.)
020 $a9781136221750$q(electronic bk.)
020 $a1136221751$q(electronic bk.)
020 $a9781306074698
020 $a130607469X
020 $a9781136221767$q(e-book ;$qPDF)
020 $a113622176X
020 $a9781136221712$q(e-book ;$qMobi)
020 $a1136221719
020 $a9781138243255$q(paperback)
020 $a1138243256
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035 $a(OCoLC)862077417$z(OCoLC)868972021$z(OCoLC)1086531980
037 $a538720$bMIL
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084 $aSOC052000$aSOC008000$aSOC032000$2bisacsh
049 $aZCUA
245 00 $aCrossover cinema :$bcross-cultural film from production to reception /$cedited by Sukhmani Khorana.
264 1 $aNew York :$bRoutledge,$c2013.
300 $a1 online resource (172 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge advances in film studies ;$v25
504 $aIncludes bibliographical references and index.
520 $a"Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those aspects of contemporary cinema on which it focuses. This contention is provoked by an appreciation of the cross-cultural reality of our post-globalization twenty-first century world. This volume both outlines the history of usage of the term and grounds it theoretically in ways that emphasize the personal/poetic in addition to the political. Each of the three sections of the volume then considers crossover film from one of three perspectives: production, the texts themselves, and distribution and consumption."--$cProvided by publisher
588 0 $aPrint version record.
505 0 $aPart I. Producing a hybrid grammar -- part II. Reading outside the canon -- part III. Watching other worlds.
650 0 $aMotion picture industry$xEconomic aspects$zForeign countries.
650 6 $aCinéma$xIndustrie$xAspect économique$zPays étrangers.
650 7 $aBUSINESS & ECONOMICS$xIndustries$xMedia & Communications.$2bisacsh
650 7 $aTECHNOLOGY & ENGINEERING$xTelecommunications.$2bisacsh
655 4 $aElectronic books.
700 1 $aKhorana, Sukhmani,$d1984-$eeditor.
776 08 $iPrint version:$tCrossover cinema$z9780415630924$w(DLC) 2012051235$w(OCoLC)794041400
830 0 $aRoutledge advances in film studies ;$v25.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15094127$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS