| Record ID | marc_columbia/Columbia-extract-20221130-031.mrc:125737441:4003 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-031.mrc:125737441:4003?format=raw |
LEADER: 04003cam a2200709 i 4500
001 15092969
005 20220115233745.0
006 m o d
007 cr cnu---unuuu
008 130924s1993 enka obq 001 0 eng d
035 $a(OCoLC)ocn858861694
035 $a(NNC)15092969
040 $aN$T$beng$erda$epn$cN$T$dOCLCE$dOCLCO$dIDEBK$dOCLCQ$dOCLCF$dTYFRS$dEBLCP$dUKDOC$dOCLCQ$dOCLCO$dOCLCA$dOCLCQ$dLEAUB$dOCLCQ$dOCLCA$dOCL$dOCLCO$dOCLCQ
019 $a624379559$a870590603$a1082251193$a1086418223
020 $a9781136158445$q(electronic bk.)
020 $a1136158448$q(electronic bk.)
020 $a9781315004037$q(e-book ;$qPDF)
020 $a1315004038
020 $a9781136158513$q(e-book ;$qePub)
020 $a1136158510
020 $a9781136158599$q(e-book ;$qMobi)
020 $a1136158596
020 $a0415115779
020 $a9780415115773
020 $z0415068045
020 $z9780415068048
020 $z9780415115773$q(paperback)
024 7 $a10.4324/9781315004037$2doi
035 $a(OCoLC)858861694$z(OCoLC)624379559$z(OCoLC)870590603$z(OCoLC)1082251193$z(OCoLC)1086418223
042 $adlr
050 4 $aPN1998.3.C87$bR63 1993eb
072 7 $aPER$x009000$2bisacsh
082 04 $a791.43/0233/092$222
084 $a24.01$2bcl
084 $a24.32$2bcl
049 $aZCUA
100 1 $aRobertson, James C.$q(James Crighton),$d1930-
245 14 $aThe Casablanca man :$bthe cinema of Michael Curtiz /$cJames C. Robertson.
264 1 $aLondon ;$aNew York :$bRoutledge,$c1993.
300 $a1 online resource (vi, 202 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aFilmography: pages 174-191.
504 $aIncludes bibliographical references (pages 169-173) and indexes.
505 00 $g1.$tEurope, 1888 to 1926 --$g2.$tHollywood Baptism, 1926 to 1929 --$g3.$tAn Expanding Repertoire, 1930 to 1935 --$g4.$tNear and at the Summit, 1935 to 1941 --$g5.$tWorld War, December 1941 to August 1945 --$g6.$tThe Twilight Warners Years, September 1945 to April 1953 --$g7.$tHollywood Nomad, April 1953 to April 1962 --$g8.$tAssessment.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2010.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2010$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
588 0 $aPrint version record.
520 $aMichael Curtiz (1888-1962) was without doubt one of the most important directors in film history, yet he has never been granted his deserved recognition and no full-scale work on him has previously been published. The Casablanca Man surveys Curtiz' unequalled mastery over a variety of genres which included biography, comedy, horror, melodrama, musicals, swashbucklers and westerns, and looks at his relationship with the Hollywood studio moguls on the basis of unprecedented archive research at Warner Brothers. Concentrating on Curtiz' best-known films - Casablanca, Angels W.
600 10 $aCurtiz, Michael,$d1886-1962$xCriticism and interpretation.
600 17 $aCurtiz, Michael,$d1886-1962$2fast$0(OCoLC)fst00085435
600 17 $aCurtiz, Michael.$2swd
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aBiografie$2gnd
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aRobertson, James C. (James Crighton), 1930-$tCasablanca man$z0415068045$w(DLC) 92033281$w(OCoLC)26767317
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15092969$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS