MARC Record from marc_columbia

LEADER: 03514cam a2200613 a 4500
001 15091482
005 20211030233132.0
006 m o d
007 cr cnu---unuuu
008 130708s1999 nyua ob 000 0 eng d
035 $a(OCoLC)ocn852158132
035 $a(NNC)15091482
040 $aN$T$beng$epn$cN$T$dIDEBK$dOCLCO$dYDXCP$dOCLCF$dEBLCP$dOCLCQ$dOCLCA$dOCLCQ$dK6U$dOCLCO$dOCLCQ
066 $c(N
019 $a851153937$a852757773
020 $a9781135658700$q(electronic bk.)
020 $a1135658706$q(electronic bk.)
020 $a1299701124$q(ebk)
020 $a9781299701120$q(ebk)
020 $z0815328958
020 $z9780815328957
035 $a(OCoLC)852158132$z(OCoLC)851153937$z(OCoLC)852757773
037 $a501363$bMIL
050 4 $aPS3527.A15$bZ835 1999eb
072 7 $aLIT$x004020$2bisacsh
082 04 $a813/.54$222
084 $a18.53$2bcl
049 $aZCUA
245 00 $aNabokov at the limits :$bredrawing critical boundaries /$cedited by Lisa Zunshine.
260 $aNew York :$bGarland Pub.,$c1999.
300 $a1 online resource (xxviii, 285 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aGarland reference library of the humanities ;$vv. 2083.$aBorder crossings ;$vv. 4
505 00 $tAda's Malbrough s'en va-t-en guerre /$rD. Barton Johnson --$tMusic in the theater of the mind : opera and Vladimir Nabokov /$rCharles Nicol --$tResonances of popular music in Lolita, Pale fire and Ada /$rBarbara Wyllie --$tQuest for a natural melody in the fiction of Vladimir Nabokov /$rJulian W. Connolly --$tVladimir Nabokov's Invitation to a beheading and Igor Stravinsky's Petrushka /$rNassim W. Balestrini --$tBallet attitudes : Nabokov's Lolita and Petipa's The sleeping beauty /$rSusan Elizabeth Sweeney --$tPninian performatives /$rMasha Raskolnikov --$tAlexander Pope's The rape of the lock and Vladimir Nabokov's Pale fire /$rLisa Zunshine --$tEuropean art : a framing device? /$rChristine Raguet-Bouvart --$tNabokov and comic art /$rGavriel Shapiro --$tNabokov's painted parchments /$rRalph A. Ciancio.
504 $aIncludes bibliographical references (pages 271-281).
588 0 $aPrint version record.
520 $aThe eleven contributors to this volume investigate the connections between Nabokov's output and the fields of painting, music, and ballet.
600 10 $6880-01$aNabokov, Vladimir Vladimirovich,$d1899-1977$xCriticism and interpretation.
600 14 $aNabokov, Vladimir,$d1899-1977$xCriticism and interpretation.
600 17 $aNabokov, Vladimir Vladimirovich,$d1899-1977.$2fast$0(OCoLC)fst00067658
600 17 $aNabokov, Vladimir V.$2swd
650 7 $aLITERARY CRITICISM$xAmerican$xGeneral.$2bisacsh
650 7 $aMusik$gMotiv$2gnd
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aZunshine, Lisa.
776 08 $iPrint version:$tNabokov at the limits.$dNew York : Garland Pub., 1999$z0815328958$w(DLC) 99036272$w(OCoLC)41612412
830 0 $aGarland reference library of the humanities ;$vv. 2083.
830 0 $aGarland reference library of the humanities.$pBorder crossings ;$vv. 4.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15091482$zTaylor & Francis eBooks
880 14 $6600-01/(N$aНабоков, Владимир Владимирович,$d1899-1977$xCriticism and interpretation.
852 8 $blweb$hEBOOKS