MARC Record from marc_columbia

LEADER: 05146cam a2200613 i 4500
001 15086893
005 20220326231501.0
006 m o d
007 cr cn|||||||||
008 951012t19961996nyua ob 001 0 eng d
035 $a(OCoLC)ocn820852370
035 $a(NNC)15086893
040 $aE7B$beng$erda$epn$cE7B$dOCLCO$dOCLCQ$dIDEBK$dOCLCQ$dOCLCF$dYDXCP$dOCLCO$dOCLCQ$dLOA$dOCLCA$dUKAHL$dLUN$dK6U$dOCLCO$dORE$dOCLCO
019 $a1167299211
020 $a9780203699263$q(e-book)
020 $a0203699262$q(e-book)
020 $a9780415917049
020 $a0415917042
020 $z9780415917032
020 $z0415917034$q(hc ;$qacid-free paper)
020 $z0415917042$q(pbk. ;$qacid-free paper)
035 $a(OCoLC)820852370$z(OCoLC)1167299211
050 4 $aHM621
082 04 $a306$220
049 $aZCUA
100 1 $aBal, Mieke,$d1946-$eauthor.
245 10 $aDouble exposures :$bthe subject of cultural analysis /$cMieke Bal ; with Das Gesicht an der Wand, Edwin Janssen
264 1 $aNew York, NY ;$aAbingdon, Oxon :$bRoutledge,$c1996
264 4 $c©1996
300 $a1 online resource (xiv, 338 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
500 $a"Transferred to Digital Printing 2010"
504 $aIncludes bibliographical references (pages 313-329) and index
505 2 $aDas Gesicht an der Wand / Edwin Janssen -- 1. Telling, Showing, Showing Off: in which the threshold between two worlds is more telling than the division between the two sides of New York's Central Park, and words expose images exposing words -- 2. The Value Factory: in which issues of ownership and preservation reveal a first-person narrator, and literary theory is brought in to learn the foreign language spoken in museums; and in which the distinction between types of museums turns out to be more than just labeling -- 3. The Talking Museum: in which one image reads another by hanging next to it, and in which parrots can speak without imitating; but this requires that discourse be liberated from the stronghold of linguistic supremacy -- 4. Museumtalk: in which conversations lead to monologues and authority makes sense, so that museology becomes a measure for cultural analysis -- 5. First Person, Second Person, Same Person: in which the best scholarship gets entangled in a narrative of display in its very attempts to avoid such discourses, but where unknotting those knots turns out to be worthwhile -- 6. A Postcard from the Edge: in which postcards, undeliverable for lack of a recent address, can still be returned to sender -- 7. The Story of W: in which lessons about reading metaphor against simplification are practiced to save Lucretia's (after)life, and the struggle to find words to fit images provides a model of integrative display -- 8. His Master's Eye: in which it turns out not all modern men heed Shakespeare's will, to the detriment of their own enjoyment; but some do, and thus teach cultural analysis about its subject -- 9. Head Hunting: in which "Judith" demonstrates that epistemology is not the prerogative of philosophers, and images will point out, for the last time, what can be shown, and what cannot.
520 3 $aA feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mielke Bal weaves a tapestry of signs and meanings that enrich our senses. Her subject is the act of showing, exposing to view.$bA feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mieke Bal weaves a tapestry of signs and meanings that enrich our senses. Her subject is the act of showing, the gesture of exposing to view. In a museum, for example, the object is on display, made visually available. "That's how it is," the display proclaims. But who says so? Bal's subjects are displays from the American Museum of Natural History, paintings by such figures as Courbet, Caravaggio, Artemisia Gentileschi, and Rembrandt, as well as works by twentieth-century artists, and such literary texts as Shakespeare's Rape of Lucrece.$cPublisher
588 0 $aonline resource; title from PDF title page (ProQuest Ebook Central, viewed May 14, 2021)
650 0 $aCulture.
650 0 $aCommunication and culture.
650 0 $aMuseum exhibits.
650 0 $aMuseums$xSocial aspects.
650 6 $aCommunication et culture.
650 6 $aObjets exposés.
650 6 $aMusées$xAspect social.
650 7 $aCommunication and culture.$2fast$0(OCoLC)fst00870039
650 7 $aCulture.$2fast$0(OCoLC)fst00885059
650 7 $aMuseum exhibits.$2fast$0(OCoLC)fst01030081
650 7 $aMuseums$xSocial aspects.$2fast$0(OCoLC)fst01030203
655 0 $aElectronic books.
700 1 $aJanssen, Edwin,$d1961-$tDas Gesicht an der Wand.
776 08 $iPrint version:$aBal, Mieke, 1946-$tDouble exposures.$dNew York : Routledge, 1996$w(DLC) 95045682
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15086893$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS