MARC Record from marc_columbia

LEADER: 05985cam a2200637 a 4500
001 15086316
005 20211023231231.0
006 m o d
007 cr cnu---unuuu
008 121022s2010 enka ob 001 0 eng d
035 $a(OCoLC)ocn813843939
035 $a(NNC)15086316
040 $aN$T$beng$epn$cN$T$dYDXCP$dOCLCO$dEBLCP$dOCLCQ$dE7B$dOCLCF$dOCLCQ$dTYFRS$dOCLCQ$dUKAHL$dOCLCQ$dLEAUB$dLOA$dU3W$dVT2$dYDX$dELBRO$dK6U$dOCLCO$dOCLCQ
015 $aGBA9B3176$2bnb
016 7 $a015426666$2Uk
019 $a813286409$a1086557607$a1135520717$a1148146606$a1175697618$a1228543972
020 $a9781136344534$q(electronic bk.)
020 $a1136344535$q(electronic bk.)
020 $a0203124294$q(electronic bk.)
020 $a9780203124291$q(electronic bk.)
020 $a9781136344480$q(e-book ;$qMobi)
020 $a1136344489
020 $a9781136344527$q(e-book ;$qePub)
020 $a1136344527
020 $z9780415432092
020 $z041543209X
020 $z9780415432108
020 $z0415432103
035 $a(OCoLC)813843939$z(OCoLC)813286409$z(OCoLC)1086557607$z(OCoLC)1135520717$z(OCoLC)1148146606$z(OCoLC)1175697618$z(OCoLC)1228543972
050 4 $aPN2085$b.T44 2010eb
072 7 $aPER$x011040$2bisacsh
082 04 $a792.02/5$222
049 $aZCUA
245 00 $aTheatre and performance design :$ba reader in scenography /$cedited by Jane Collins and Andrew Nisbet.
260 $aLondon ;$aNew York :$bRoutledge,$c2010.
300 $a1 online resource (xxix, 400 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $tAppearance and reality /$rBertrand Russell --$tThe simile of the cave /$rPlato --$tThe draughtsman's contract : how an artist creates an image /$rJohn Willats --$tThe camera obscura and its subject /$rJonathan Crary --$tMeditations on a hobby horse or the roots of artistic form /$rErnst Gombrich --$tFrom Camera Lucida /$rRoland Barthes --$tThe most concealed object /$rHerbert Blau --$tFascination and obsession /$rSusan Bennett --$tOf other spaces /$rMichel Foucault --$tFrom The production of space /$rHenri Lefebvre --$tFor a hierarchy of means of expression on the stage /$rAdolphe Appia --$tA taxonomy of spatial function /$rGay McAuley --$t6 axioms for environmental theatre : axiom three /$rRichard Schechner --$tSite-specifics /$rNick Kaye --$tDancing in the streets : the sensuous manifold as a concept for designing experience /$rScott Palmer and Sita Popat --$tGrounding /$rAndrew Todd --$tTowards an aesthetic of virtual reality /$rGabriella Giannachi --$tThe house, from cellar to garret, the significance of the hut /$rGaston Bachelard --$tMaking and contesting time-spaces /$rDoreen Massey --$tPostmodern design /$rArnold Aronson --$t"Oh, to make boardes to speak!" /$rNicholas Till --$tStage designs of a single gesture : the early work of Robert Edmond Jones /$rArthur B. Feinsod --$tForeword to The stage is set /$rLee Simonson --$tHope, hopelessness-- presence, absence : scenographic innovation and the poetic spaces of Jo Mielziner, Tennessee Williams and Arthur Miller /$rLiam Doona --$tBrecht and stage design : the Bühnenbildner and the Bühnenbauer /$rChristopher Baugh --$tThe diseases of costume /$rRoland Barthes --$tMy idea of the theatre /$rTadeusz Kantor --$tVisual composition, mostly /$rRichard Foreman --$tDefining and reconstructing theatre sound /$rAdrian Curtin --$tOn performance writing /$rTim Etchells --$tDocile bodies /$rMichel Foucault --$tEye and mind /$rMaurice Merleau-Ponty --$tOf language and the flesh /$rThomas Laqueuer --$tFrom Adorned in dreams /$rElizabeth Wilson --$tThe actor and the über-marionette /$rEdward Gordon Craig --$tMan and art figure /$rOskar Schlemmer --$tFrom Towards a poor theatre /$rJerzy Grotowski --$tWoman, man, dog, tree : two decades of intimate and monumental bodies in Pina Bausch's Tanztheater /$rGabrielle Cody --$tThe will to evolve /$rJane Goodall --$tGlow : an interview with Gideon Obarzanek /$rCristiane Bouger --$tThe work of art in the age of its technological reproducibility : second version /$rWalter Benjamin --$tInteraction between text and reader /$rWolfgang Iser --$tSemiotics /$rLois Tyson --$tLimits of analysis, limits of theory and Pavis's questionnaire /$rPatrice Pavis --$tSound design : the scenography of engagement and distraction /$rRoss Brown --$tOlfactory performances /$rSally Banes --$tThe naturalistic theatre and the theatre of mood /$rVsevolod Meyerhold --$tTheatre and cruelty /$rAntonin Artaud --$tThe humanist theatre ;$tThe catastrophic theatre ;$tThe cult of accessibility and the theatre of obscurity /$rHoward Barker --$tDrawing in rehearsal /$rRae Smith --$tSpeech introducing Freud /$rRobert Wilson --$tFrom The secret of theatrical space /$rJosef Svoboda.
520 8 $aTheatre and performance studies, cultural theory, fine art, philosophy and the social sciences are here brought together in one volume to examine some of the principle forces that have informed the ways in which the visual practice of performance design has been produced and understood.
588 0 $aPrint version record.
650 0 $aTheaters$xStage-setting and scenery.
650 7 $aPERFORMING ARTS$xTheater$xStagecraft.$2bisacsh
650 7 $aPerforming Arts.$2eflch
650 7 $aTheaters$xStage-setting and scenery.$2fast$0(OCoLC)fst01149404
650 7 $aBühnenbild.$2idszbz
650 7 $aTheater.$2idszbz
650 7 $aScenografi.$2sao
655 4 $aElectronic books.
700 1 $aCollins, Jane,$d1951-
700 1 $aNisbet, Andrew,$d1960-
776 08 $iPrint version:$tTheatre and performance design.$dLondon ; New York : Routledge, 2010$z9780415432092$w(DLC) 2009030782$w(OCoLC)228374460
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15086316$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS