MARC Record from marc_columbia

LEADER: 08017cam a2201021 a 4500
001 15086258
005 20211023231159.0
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008 121015s2013 enka ob 001 0 eng d
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245 00 $aManga and the representation of Japanese history /$cedited by Roman Rosenbaum.
260 $aLondon :$bRoutledge,$c2013.
300 $a1 online resource (xvii, 273 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge contemporary Japan series ;$v44
520 $a"This edited collection explores how graphic art and in particular Japanese manga represent Japanese history. The articles explore the representation of history in manga from disciplines that include such diverse fields as literary studies, politics, history, cultural studies, linguistics, narratology, and semiotics. Despite this diversity of approaches all academics from these respective fields of study agree that manga pose a peculiarly contemporary appeal that transcends the limitation imposed by traditional approaches to the study and teaching of history. The representation of history via manga in Japan has a long and controversial historiographical dimension. Thereby manga and by extension graphic art in Japanese culture has become one of the world's most powerful modes of expressing contemporary historical verisimilitude. The strategy of combining the narrative elements of writing with graphic art, the extensive narrative story-manga and its Western equivalent of the graphic novel, reflects the relatively new soft power of 'global' media, which have the potential to display history in previously unimagined ways. Boundaries of space and time in manga become as permeable as societies and cultures across the world. Each of the articles in this book investigates the authorship of history by looking at various different attempts to render Japanese history through the popular cultural media of the story-manga. As Carol Gluck, Tessa Morris-Suzuki, Susan Napier and others have shown, it has never been easy to encapsulate the complex narrative of emperor-based cyclical Japanese historical periods. The contributors to this volume elaborate how manga and by extension graphic art rewrites, reinvents and re-imagines the historicity and dialectic of bygone epochs in postwar/contemporary Japan."--$cProvided by publisher
520 $a"This edited collection explores how graphic art and in particular Japanese manga represent Japanese history"--$cProvided by publisher
504 $aIncludes bibliographical references and index.
505 00 $tSabotaging the rising sun : representing history in Tezuka Osamu's Phoenix /$rRachael Hutchinson --$tReading Shōwa history through manga : Astro boy as the avatar of postwar Japanese culture /$rRoman Rosenbaum --$tRepresentations of gendered violence in manga : the case of enforced military prostitution /$rErik Ropers --$tMaruo Suehiro's Planet of the Jap : revanchist fantasy or war critique? /$rPeter C. Luebke and Rachel DiNitto --$tMaking history herstory : Nelson's son and Siebold's daughter in Japanese shōjo manga /$rUlrich Heinze --$tHeroes and villains : Manchukuo in Yasuhiko Yoshikazu's Rainbow Trotsky /$rEmer O'Dwyer --$tMaking history : manga Between kyara and historiography /$rMatthew Penney --$tPostmodern representations of the pre-modern Edo period /$rPaul Sutcliffe --$t"Land of kami, land of the dead" : paligenesis and the aesthetics of religious revisionism in Kobayashi Yoshinori's Neo-Gōmanist manifesto : on Yasukuni /$rJames Mark Shields --$tHating Korea, hating the media : manga Kenkanryū and the graphical (mis- )representation of Japanese history in the Internet age /$rRaffael Raddatz --$tThe adaptation of Chinese history into Japanese popular culture : a study of Japanese manga, animated series and video games based on The romance of the three kingdoms /$rBenjamin Wai-Ming Ng --$tTowards a summation : how do manga represent history? /$rRoman Rosenbaum.
588 0 $aPrint version record.
506 $3Use copy$fRestrictions unspecified$2star$5MiAaHDL
533 $aElectronic reproduction.$b[Place of publication not identified] :$cHathiTrust Digital Library,$d2011.$5MiAaHDL
538 $aMaster and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.$uhttp://purl.oclc.org/DLF/benchrepro0212$5MiAaHDL
583 1 $adigitized$c2011$hHathiTrust Digital Library$lcommitted to preserve$2pda$5MiAaHDL
650 0 $aHistory in art.
650 0 $aComic books, strips, etc.$zJapan$xThemes, motives.
650 0 $aArt and society$zJapan$xHistory$y20th century.
650 0 $aArt and society$zJapan$xHistory$y21st century.
650 7 $aCOMICS & GRAPHIC NOVELS$xManga$xGeneral.$2bisacsh
650 7 $aHISTORY$zAsia$xGeneral.$2bisacsh
650 7 $aCOMICS & GRAPHIC NOVELS$xManga$xErotica.$2bisacsh
650 7 $aCOMICS & GRAPHIC NOVELS$xManga$xFantasy.$2bisacsh
650 7 $aCOMICS & GRAPHIC NOVELS$xManga$xGay & Lesbian.$2bisacsh
650 7 $aCOMICS & GRAPHIC NOVELS$xManga$xHistorical Fiction.$2bisacsh
650 7 $aCOMICS & GRAPHIC NOVELS$xManga$xHorror.$2bisacsh
650 7 $aCOMICS & GRAPHIC NOVELS$xManga$xMedia Tie-In.$2bisacsh
650 7 $aCOMICS & GRAPHIC NOVELS$xManga$xRomance.$2bisacsh
650 7 $aCOMICS & GRAPHIC NOVELS$xManga$xScience Fiction.$2bisacsh
650 7 $aArt and society.$2fast$0(OCoLC)fst00815432
650 7 $aComic books, strips, etc.$xThemes, motives.$2fast$0(OCoLC)fst00869177
650 7 $aHistory in art.$2fast$0(OCoLC)fst00958337
651 7 $aJapan.$2fast$0(OCoLC)fst01204082
650 7 $aHistoria i konsten.$2sao
650 7 $aKonst och samhälle.$2sao
650 7 $aTecknade serier.$2sao
648 7 $a1900-2099$2fast
648 7 $a1900-talet.$2sao
648 7 $a2000-talet.$2sao
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aRosenbaum, Roman,$eeditor.
776 08 $iPrint version:$tManga and the representation of Japanese history.$dLondon : Routledge, 2013$z9780415694230$w(DLC) 2012010549$w(OCoLC)754733785
830 0 $aRoutledge contemporary Japan series ;$v44.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio15086258$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS