| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:75152147:4979 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:75152147:4979?format=raw |
LEADER: 04979cam a2200757Ia 4500
001 14701601
005 20201022131306.0
006 m o d
007 cr cn|||||||||
008 021204s2001 enka ob 001 0 eng d
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049 $aZCUA
100 1 $aMcDonald, Helen,$d1949-
245 10 $aErotic ambiguities :$bthe female nude in art /$cHelen McDonald.
260 $aLondon ;$aNew York :$bRoutledge,$c2001.
300 $a1 online resource (xii, 249 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
504 $aIncludes bibliographical references (pages 234-239) and index.
588 0 $aPrint version record.
505 0 $a1. Feminism, ambiguity and the ideal -- 2. Re-visioning the female nude -- 3. Historical ambiguity -- 4. Seeing ambiguity -- 5. Gender ambiguity -- 6. Making a difference with ambiguity -- 7. Turning ambiguity around -- 8. Hybrid ambiguities.
520 $a"Art is always ambiguous. When it involves the female body it can also be erotic. Erotic Ambiguities is a study of how contemporary women artists have reconceptualised the figure of the female nude. Helen McDonald shows how, over the past thirty years, artists have employed the idea of ambiguity to dismantle the exclusive, classical ideal enshrined in the figure of the nude, and how they have broadened the scope of the ideal to include differences of race, ethnicity, sexuality and disability as well as gender." "McDonald discusses the work of a wide range of women artists, including Barbara Kruger, Judy Chicago, Mary Duffy, Zoe Leonard, Tracey Moffatt, Pat Brassington and Sally Smart. She traces the shift in feminist art practices from the early challenge to patriarchal representations of the female nude to contemporary, 'postfeminist' practices, influenced by theories of performativity, queer theory and postcoloniality. McDonald argues that feminist efforts to develop a more positive representation of the female body need to be reconsidered, in the face of the resistant ambiguities and hybrid complexities of visual art in the late 1990s."--Jacket.
650 0 $aFemale nude in art.
650 0 $aFeminism in art.
650 0 $aGender identity in art.
650 0 $aWomen artists$xPsychology.
650 7 $aART$xSubjects & Themes$xPortraits.$2bisacsh
650 7 $aART$xSubjects & Themes$xHuman Figure.$2bisacsh
650 7 $aFemale nude in art.$2fast$0(OCoLC)fst01896133
650 7 $aFeminism in art.$2fast$0(OCoLC)fst00922751
650 7 $aGender identity in art.$2fast$0(OCoLC)fst00939604
650 7 $aWomen artists$xPsychology.$2fast$0(OCoLC)fst01177167
650 17 $aVrouwelijk naakt.$2gtt
650 17 $aBeeldende kunsten.$2gtt
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aMcDonald, Helen, 1949-$tErotic ambiguities.$dLondon ; New York : Routledge, 2001$z0415170982$w(DLC) 00032184$w(OCoLC)43913196
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14701601$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS