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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-030.mrc:42644674:3610
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:42644674:3610?format=raw

LEADER: 03610cam a2200529Ii 4500
001 14633716
005 20200313120603.0
008 200120s2019 pe abch b 000 0dspa d
035 $a(OCoLC)on1137246029
040 $aH7K$beng$erda$cH7K$dOCLCO$dOCLCF$dJPG
020 $a9786124580949
020 $a6124580942
035 $a(OCoLC)1137246029
041 1 $aspa$aeng$hspa
043 $as-pe---
050 4 $aND419.E93$bA4 2019
049 $aZCUA
245 00 $aProyecto Piraq Kausa Kaykunapaq :$b¿Quién será el culpable? : memorias pictóricas sobre el conflicto armado interno en Sarhua, Ayacucho /$ctexto y edición Primitivo Evanán Poma y Ramón Mújica Pinilla.
246 30 $aMemorias pictóricas sobre el conflicto armado interno en Sarhua, Ayacucho
250 $aPrimera edición.
264 1 $aLima :$bEditorial Planeta Perú,$c2019.
300 $a319 pages :$billustrations (chiefly color), facsimiles, map, portraits ;$c24 x 28 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 0 $aAriel
500 $a"Un homenaje a la comunidad de sarhua."
504 $aIncludes bibliographical references.
505 8 $aPalabras preliminares / Juan Ossio A. -- Prefacio / Salomón Lerner Febres -- Introducción / Ramon Mujica Pinilla -- Piraq Kausa Kaykunapaq, Parte 1. ADAPS 1990-1993 -- Piraq Kausa Kaykunapaq, Parte 2. ADAPS 1998-1999 -- Testimonio / Primitivo Evanán Poma -- Apendice musical -- Foreword / Juan Ossio A. -- Preface / Solomon Lerner Febres -- Introduction / Ramon Mujica Pinilla -- Piraq Kausa Kaykunapaq, Part 1. ADAPS 1990-1993 -- Piraq Kausa Kaykunapaq, Part 2. ADAPS 1998-1999 -- Testimony / Primitivo Evanán Poma -- Musical appendix.
520 $aArtist Primitivo Evanán Poma (Sarhua, 1944) recounts various episodes of his life, and of his community that were represented on thirty-two painted "tablas" created in the 1990s and that are part of the collection of the Museum of Art of Lima (MALI). Master Poma created the tablets during the time of violence and in the years that followed the pacification, and are one of the few pictorial manifestations of contemporary Peruvian indigenous culture which combine pre-Columbian knowledge with European techniques that reached the region as part of the evangelization process. The Piraq Kausa Kaykunapaq project seeks to make visible and denounce extreme forms of political and social violence so that justice is done. Images do not replace words. They only complement them, as in the viceregal paintingʺ --Salomón Lerner Febres, former president of the Comisión de la Verdad y Reconciliación.
546 $aIn Spanish and English.
600 10 $aEvanan Poma, Primitivo.
610 20 $aProyecto Piraq Kausa Kaykunapaq.
650 0 $aQuechua Indians$xSocial life and customs.
650 0 $aQuechua art$zPeru$zSarhua$xThemes, motives.
651 0 $aSarhua (Peru)$xSocial life and customs$vPictorial works.
650 7 $aManners and customs.$2fast$0(OCoLC)fst01007815
650 7 $aQuechua Indians$xSocial life and customs.$2fast$0(OCoLC)fst01085571
651 7 $aPeru$zSarhua.$2fast$0(OCoLC)fst01230707
655 7 $aCatalogs.$2fast$0(OCoLC)fst01423692
655 7 $aPictorial works.$2fast$0(OCoLC)fst01423874
700 1 $aMujica Pinilla, Ramón,$eauthor.
700 12 $aEvanan Poma, Primitivo.$tWorks.$kSelections.
730 02 $aProyecto Piraq Kausa Kaykunapaq.
730 02 $aProyecto Piraq Kausa Kaykunapaq.$lEnglish.
852 00 $boff,fax$hND419.E93$iA4 2019g