MARC Record from marc_columbia

LEADER: 04476cam a2200697 i 4500
001 14629021
005 20210426090203.0
008 200305t20202019nyua bc 001 0 eng c
024 $a99986657147
035 $a(OCoLC)on1138704117
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019 $a1110435870
020 $a0847866645$q(hardcover)
020 $a9780847866649$q(hardcover)
035 $a(OCoLC)1138704117$z(OCoLC)1110435870
042 $apcc
050 4 $aN6538.N5$bC54 2020
082 04 $a704.08996$223
100 1 $aChilds, Adrienne L.,$eauthor.
245 10 $aRiffs and relations :$bAfrican American artists and the European modernist tradition /$cAdrienne L. Childs ; with contributions by Renée Maurer, Valerie Cassel Oliver.
246 30 $aAfrican American artists and the European modernist tradition
264 1 $aNew York, NY :$bRizzoli Electa ;$aWashington, DC :$bIn association with The Phillips Collection,$c2020.
264 4 $c©2019
300 $a208 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition held at The Phillips Collection, Washington, DC, February 29-May 24, 2020.
504 $aIncludes bibliographical references (pages 200-202) and index.
505 0 $aRiffs and relations: an introduction / Adrienne L. Childs -- African art and the modern / Adrienne L. Childs -- Contested bodies: artist/model/muse / Adrienne L. Childs -- Duncan Phillips and community / Renée Maurer -- Abstract relations : a conversation between Valerie Cassel Oliver and Adrienne L. Childs -- Works in the exhibition.
520 $aRiffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions around modernism in the works of artists such as Romare Bearden, Pablo Picasso, Faith Ringgold, Renee Cox, Robert Colescott, Norman Lewis, Hank Willis Thomas, Carrie Mae Weems and Henri Matisse. The volume explores how blackness has often been conceived from the standpoint of these international and intergenerational connections and presents the divergent and complex works born of these important dialogues.
650 0 $aAfrican American art$y20th century$vExhibitions.
650 0 $aAfrican American art$y21st century$vExhibitions.
650 0 $aAfrican American art$xEuropean influences$vExhibitions.
650 7 $aAfrica.$0(NL-LeOCL)294896791$2ascl
650 7 $aUnited States.$0(NL-LeOCL)294942807$2ascl
650 7 $aEurope.$0(NL-LeOCL)294910700$2ascl
650 7 $apainting.$0(NL-LeOCL)294930752$2ascl
650 7 $aAfrican Americans.$0(NL-LeOCL)294896813$2ascl
650 7 $adiasporas.$0(NL-LeOCL)294907815$2ascl
650 7 $aexhibition catalogues (form)$0(NL-LeOCL)294910883$2ascl
650 7 $apictorial works (form)$0(NL-LeOCL)294931945$2ascl
650 7 $aAfrican American art.$2fast$0(OCoLC)fst00799012
650 7 $aAfrican American art$xEuropean influences.$2fast$0(OCoLC)fst00799015
650 7 $aEinfluss$2gnd
650 7 $aKünstler$2gnd
650 7 $aKunst$2gnd
650 7 $aModerne$2gnd
650 7 $aRezeption$2gnd
650 7 $aSchwarze$2gnd
651 7 $aEuropa$2gnd
651 7 $aUSA$2gnd
648 7 $a1900-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aMaurer, Renée,$econtributor.
700 1 $aCassel Oliver, Valerie,$econtributor.
710 2 $aPhillips Collection,$ehost institution.
852 00 $bfaxlc$hN6538.N5$iR57 2019g
852 0 $bbar$hN6538.N5$iC54 2020