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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-030.mrc:3408335:3573
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:3408335:3573?format=raw

LEADER: 03573cam a2200433Ii 4500
001 14563282
005 20200213112011.0
008 200122t20192019enka b 001 0 eng d
035 $a(OCoLC)on1098333009
040 $aYDX$beng$erda$cYDX$dUKMGB$dOCLCF$dOCLCO$dOCLCQ$dCDX$dERASA$dFNE$dGK8$dBKL$dVP@
015 $aGBB9B5700$2bnb
016 7 $a019452798$2Uk
019 $a1124962678
020 $a9780500239988$q(hardcover)
020 $a0500239983$q(hardcover)
035 $a(OCoLC)1098333009$z(OCoLC)1124962678
050 4 $aND497.B16$bA4 2019
082 04 $a759.2915$223
049 $aZCUA
245 00 $aFrancis Bacon :$bbooks and painting /$cedited by Didier Ottinger ; with texts by Didier Ottinger, Chris Stephens, Miguel Egaña, Michael Peppiatt, Catherine Howe.
264 1 $aLondon :$bThames & Hudson,$c2019.
264 4 $c©2019
300 $a241 pages (some folded) :$billustrations (chiefly color) ;$c32 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in conjunction with an exhibition held at the Centre Pompidou, Paris, France, September 11, 2019 - January 20, 2020.
504 $aIncludes bibliographical references and index.
520 8 $aPublished to accompany the first Francis Bacon retrospective in Paris for twenty years, this catalogue analyses Bacon's works from 1971 onwards in light of his relationship to literature. Bacon always vigorously opposed over-analysis of his paintings, preferring to interpret them in purely illustrative or symbolic terms; he admitted, however, that literature was a powerful stimulus to his imagination. The artist was inspired by the images conjured up by certain texts: Aeschylus' phrase "the reek of human blood smiles out at me" in particular haunted Bacon, while his 1978 work Painting refers to T. S. Eliot's seminal poem 'The Waste Land'. The inventory of Bacon's personal library has identified more than 1,300 books, ranging from Bataille and Conrad to Nietzsche and Leiris. Including twelve of Bacon's renowned triptychs, this lavish publication features eleven gatefolds and some sixty paintings created by Bacon between 1971 and his death in 1992. Reproduced here with analyses of Bacon's paintings in the light of some of his most admired authors, these specially commissioned texts reveal new ways of understanding some of the most powerful works in the modern canon. Exhibition: Centre Pompidou, Paris, France (11.09.2019 - 20.01.2020).
505 00 $tBacon spelled out /$rDidier Ottinger --$tPaintings --$tJoseph Conrad, T. S. Eliot, Georges Bataille, Friedrich Nietzche, Aeschylus, Michel Leiris --$tPaintings --$tWatching death at work: the iconography of Francis Bacon's late work /$rChris Stephens --$tGilles Deleuze 'over Francis Bacon's shoulder' /$rMiguel Egaña --$tFrancis Bacon and William Shakespeare /$rMichael Peppiatt --$tTextual transgressions: Francis Bacon's French legacy /$rCatherine Howe --$tFrancis Bacon's libraries --$tChronology /$rAnna Hiddleston-Galloni --$tList of works in the exhibition.
600 10 $aBacon, Francis,$d1909-1992$vExhibitions.
650 0 $aArt and literature$vExhibitions.
600 17 $aBacon, Francis,$d1909-1992.$2fast$0(OCoLC)fst00046628
650 7 $aArt and literature.$2fast$0(OCoLC)fst00815400
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
710 2 $aCentre Georges Pompidou,$ehost institution.
852 00 $bfaxlc$hND497.B16$iA4 2019h