MARC Record from marc_columbia

LEADER: 05316cam a2200709 i 4500
001 14986081
005 20220625225856.0
006 m o d
007 cr |||||||||||
008 200218t20202020nyuab ob 001 0 eng
010 $a 2020008328
035 $a(OCoLC)on1145080156
035 $a(NNC)14986081
040 $aDLC$beng$erda$epn$cDLC$dOCLCO$dOCLCQ$dOCLCF$dYDX$dEBLCP$dN$T$dUKOUP$dYDX$dIUL$dOCLCO
019 $a1227668277
020 $a9780197510476$qelectronic book
020 $a0197510477$qelectronic book
020 $a9780197510452$qelectronic book
020 $a0197510450$qelectronic book
020 $a9780197510469$qelectronic book
020 $a0197510469$qelectronic book
020 $z9780197510445$qhardcover
035 $a(OCoLC)1145080156$z(OCoLC)1227668277
042 $apcc
043 $an-us---
050 04 $aML3917.U6$bU9 2020
082 00 $a707.9/73$223
049 $aZCUA
100 1 $aUy, Michael Sy,$eauthor.
245 10 $aAsk the experts :$bhow Ford, Rockefeller, and the NEA changed American music /$cMichael Sy Uy.
264 1 $aNew York, NY :$bOxford University Press,$c[2020]
264 4 $c©2020
300 $a1 online resource (xii, 263 pages) :$billustrations, maps
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aDefining excellence, quality, and style: consultants as contributory experts -- Gatekeeping from within: grantmaking officers as interactional experts -- Pluralism and public-private relationships in the field of cultural production -- The Rockefeller Foundation, the University New Music Center, and "foundation music" -- The Ford Foundation, matching grants, and endowment building -- The National Endowment for the Arts, the U.S. Bicentennial, and the Expansion Arts and jazz/folk/ethnic programs.
520 $a"From the end of the Second World War through the U.S. Bicentennial, the National Endowment for the Arts, the Rockefeller Foundation, and the Ford Foundation granted close to $300 million (approximately $2.3 billion in 2017 dollars) in the field of music alone. In deciding what to fund, these three grantmaking institutions decided to "ask the experts," adopting seemingly objective, scientific models of peer review and specialist evaluation. They recruited music composers at elite institutions, professors from prestigious universities, and leaders of performing arts organizations. Among the most influential expert-consultants were Leonard Bernstein, Aaron Copland, Lukas Foss, and Milton Babbitt. The significance was two-fold: not only were male, Western art composers put in charge of directing large and unprecedented channels of public and private funds, but in doing so they also determined and defined what was meant by artistic excellence. They decided the fate of their peers and shaped the direction of music-making in this country. By asking the experts, the grantmaking institutions produced a concentrated and interconnected field of artists and musicians. Officers and directors utilized ostensibly objective financial tools like matching grants and endowments in an attempt to diversify and stabilize applicants' sources of funding, as well as the number of applicants they funded. Such economics-based strategies, however, relied more on personal connections among the wealthy and elite, rather than local community citizens. Ultimately, this history demonstrates how "expertise" served as an exclusionary form of cultural and social capital that prevented racial minorities and non-dominant groups from fully participating"--$cProvided by publisher.
588 $aDescription based on online resource; title from web page (Oxford Scholarship Online, viewed on October 20, 2020).
610 20 $aNational Endowment for the Arts$xHistory$y20th century.
610 20 $aRockefeller Foundation$xMusic patronage$xHistory$y20th century.
610 20 $aFord Foundation$xHistory$y20th century.
610 27 $aFord Foundation.$2fast$0(OCoLC)fst00533904
610 27 $aNational Endowment for the Arts.$2fast$0(OCoLC)fst00529469
610 27 $aRockefeller Foundation.$2fast$0(OCoLC)fst00528303
650 0 $aMusic patronage$zUnited States$xHistory$y20th century.
650 0 $aGovernment aid to music$zUnited States$xHistory$y20th century.
651 0 $aUnited States$xCultural policy$xHistory$y20th century.
650 6 $aMusique$xMécénat$zÉtats-Unis$xHistoire$y20e siècle.
650 6 $aAide de l'État à la musique$zÉtats-Unis$xHistoire$y20e siècle.
650 7 $aCultural policy.$2fast$0(OCoLC)fst00885007
650 7 $aGovernment aid to music.$2fast$0(OCoLC)fst00945165
650 7 $aMusic patronage.$2fast$0(OCoLC)fst01030583
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aUy, Michael Sy.$tAsk the experts.$dNew York, NY : Oxford University Press, [2020]$z9780197510445$w(DLC) 2020008327$w(OCoLC)1145106189
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14986081$zAll EBSCO eBooks
852 8 $blweb$hEBOOKS