MARC Record from marc_columbia

LEADER: 06232cam a2200589 i 4500
001 14985260
005 20220611231921.0
006 m o d
007 cr cnu---unuuu
008 140422s2005 nyu eof 000 0 eng d
035 $a(OCoLC)ocn877868032
035 $a(NNC)14985260
040 $aN$T$beng$erda$epn$cN$T$dTYFRS$dOCLCQ$dOCLCA$dAGLDB$dD6H$dOCLCF$dOCLCQ$dVTS$dWYU$dSTF$dUKAHL$dOCLCQ$dINARC$dAJS$dOCLCO$dOCLCQ$dOCLCO
020 $a9781135470418$q(electronic bk.)
020 $a1135470413$q(electronic bk.)
020 $z0878301747
020 $z9780878301744
020 $z0878301755
020 $z9780878301751
035 $a(OCoLC)877868032
050 4 $aPN2061$b.T83 2005eb
072 7 $aPER$x011000$2bisacsh
082 04 $a792.02/8$222
049 $aZCUA
100 1 $aTucker, Patrick,$d1941-
245 14 $aThe actor's survival handbook /$cPatrick Tucker and Christine Ozanne.
264 1 $aNew York ;$aLondon :$bRoutledge,$c2005.
300 $a1 online resource (xxvi, 334 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
520 $a"Worried about short rehearsal time? Think that fluffing your lines will be the end of your career? Are you afraid you'll be typecast? Is there such a thing as acting too much? How should a stage actor adjust performance for a camera? And how should an actor behave backstage? The Actor's Survival Handbook gives you answers to all these questions and many more. Written with verve and humor, this utterly essential tool speaks to every actor's deepest concerns. Drawing upon their years of experience on stage, backstage, and with the camera, Patrick Tucker and Christine Ozanne offer forthright advice on topics from breathing to props, commitment to learning lines, audience response to simply landing the job in the first place. The book is rich with examples - both technical and inspirational. And because a director and an actor won't always agree, the two writers sometimes even offer alternative responses to a dilemma, giving the reader both an actor's take and a director's take on a particular point. Like Patrick Tucker's Secrets of Screen Acting, this new book is written with wit and passion, conveying the authors' powerful conviction that success is within every actor's grasp."--Publisher's website
520 3 $aThe Actor's Survival Handbook gives you answers to all kinds of questions. Written with verve and humor, this utterly essential tool speaks to every actor's deepest concerns.
588 0 $aPrint version record.
505 0 $aActing : what is it? -- Argents -- Amateur dramatics -- Anecdotes and jokes -- Attitude -- Audience -- Auditions -- Battle of the sexes -- Be yourself (Plus!) -- Believability -- Blowing your nose -- Breaking up (Corpsing) -- Business (Biz) -- Casting directors -- Comedy and farce -- Commercial casting sessions -- Commitment -- Conservatories and drama schools -- Consistency -- Costumes, wigs, and shoes -- Crew -- Designers -- Dialects and accents -- Directors -- Discussions -- Don't ask for permission -- Don't give up -- Drugs -- Editing and acting -- Example : Al and Bob's first meeting -- Example : Anna Christie and her dad -- Example : broadway versus Hollywood -- Example : brother and sister act -- Example : Kate and corpsing -- Example : Lady Bracknell's handbag -- Example : Mr. and Mrs. Noah Fight -- Example : Mr. Horner is exactly that -- Example : Noel Coward on the phone -- Example : Olivia's ends -- Example : plunging in the deep end -- Example : princely business -- Example : signs of the times -- Example : the silence of the lads -- Example : valuable verbals -- Example : you, thee-and the gold -- Eye-to-eye contact -- Fellow actors -- Film versus television -- Forgetting lines -- Further training -- Gear changes -- Getting work -- Good and bad taste -- Hierarchy -- Homework -- Illness -- Improvisation -- Instinct versus intellect -- Interviews -- It's not what it used to be -- Jobs requiring acting skills -- Journey -- Know your image -- Laughter -- Learning lines -- Less is more? -- Let the words do the work
505 8 $aMedieval acting -- Melodrama acting -- Method acting -- Mistakes -- Modern contemporary acting -- Money is probably the answer -- Movement and gestures -- Multicamera versus single camera -- Never say no -- No training -- Notes -- Open auditions -- Opposites -- Outside-in-versus inside-out -- Over the top -- Pauses -- Performing -- Photographs -- Problems -- Producers -- Projection -- Properties (Props) -- Pulling focus -- Punctuality -- Qualifications -- Radio acting -- Readings -- Rehearsals (Long, short, or none) -- Rehearsing -- Rejection -- Restoration acting -- Resumes -- Role-play -- Screen acting -- Screen cheating -- Screen reactions -- Screen vocal levels -- Sex and violence -- Shakespeare acting -- Shakespeare : first folio -- Shakespeare : prose or poetry -- Shakespeare : simple or complicated -- Shakespeare : verse -- Shakespeare : what you call people -- Shakespeare : wordplay -- Shooting and acting -- Stars -- Starting off -- Step-by-step -- Style -- Teaching acting -- Technical and dress rehearsals -- Technique -- Ten-second rule -- Text -- The team -- Thinking -- Training -- Truth -- Typecasting -- University courses -- Versatility -- Voice -- Whatever works -- You (Your other life) -- Biographies.
650 0 $aActing$vHandbooks, manuals, etc.
650 0 $aActors and actresses.
650 6 $aArt dramatique$vGuides, manuels, etc.
650 7 $aPERFORMING ARTS$xTheater$xGeneral.$2bisacsh
650 7 $aActing.$2fast$0(OCoLC)fst00796146
650 7 $aTheaterspiel$2gnd
655 4 $aElectronic books.
655 7 $amanuals (instructional materials)$2aat
655 7 $ahandbooks.$2aat
655 7 $aHandbooks and manuals.$2fast$0(OCoLC)fst01423877
655 7 $aHandbooks and manuals.$2lcgft
655 7 $aGuides et manuels.$2rvmgf
700 1 $aOzanne, Christine.
776 08 $iPrint version:$aTucker, Patrick, 1941-$tActor's survival handbook$z0878301747$w(OCoLC)62100243
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14985260$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS