MARC Record from marc_columbia

LEADER: 03311cam a2200577 i 4500
001 14971722
005 20201030075950.0
008 190531t20202020be aeh b 001 0 eng c
035 $a(OCoLC)on1090682759
040 $aERASA$beng$erda$cERASA$dYDX$dQGJ$dCHVBK$dOCLCO$dJPG$dOHX$dISS$dOCLCF$dOCL$dYDXIT$dWVU$dUAB$dOSU$dYDXIT
019 $a1085214401$a1151393984
020 $a9782503579672$qhardcover
020 $a2503579671$qhardcover
035 $a(OCoLC)1090682759$z(OCoLC)1085214401$z(OCoLC)1151393984
042 $apcc
043 $an-us-ma
050 4 $aN8053$b.C53 2020
050 4 $aN8053$b.C47 2020
072 7 $aNB$2lcco
072 7 $aBR$2lcco
082 04 $a704.9/482$223
049 $aZCUA
245 00 $aChrist on the Cross :$bthe Boston Crucifix and the rise of monumental wood sculpture, 970-1200 /$cedited by Shirin Fozi & Gerhard Lutz.
264 1 $aTurnhout, Belgium :$bBrepols Publishers,$c[2020]
264 4 $c©2020
300 $a456 pages :$billustrations (chiefly color), facsimile, plan ;$c29 x 24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aStudies in the visual cultures of the Middle Ages ;$vvol. 16
504 $aIncludes bibliographical references and index.
520 8 $aFew medieval images are as iconic, or as challenging, as the life-sized sculptural crucifixes that emerged in the Holy Roman Empire at the end of the tenth century. Striking at the fundamental mysteries of Christianity -- the idea of a God made flesh, who died on the Cross and was resurrected after three days -- these objects were made to attract attention and inspire veneration, and they exist in uneasy tension with medieval anxieties about idolatry and the cult of images. This volume presents new research on the Boston Crucifix, the earliest medieval crucifix in North America and one of the most significant examples of the genre, in dialogue with new directions in this field as a whole. Essays on the history, theology, style, condition, and provenance of early wood crucifixes are presented here together for the first time in a format that is intended as a major scholarly resource, but will also prove accessible to students and non-specialists who are curious about the origins of monumental crucifixes in the High Middle Ages.
650 0 $aCrosses$zMassachusetts$zBoston.
600 00 $aJesus Christ$xCrucifixion$vArt.
650 0 $aCrosses in art.
650 0 $aChristian art and symbolism.
650 0 $aArt, Medieval.
650 7 $aHolzplastik$2gnd$0(DE-588)4072608-3
650 7 $aKruzifix$2gnd$0(DE-588)4033320-6
600 07 $aJesus Christ.$2fast$0(OCoLC)fst00040116
650 7 $aCrucifixion of Jesus Christ.$2fast$0(OCoLC)fst01352652
650 7 $aCrosses.$2fast$0(OCoLC)fst00884187
650 7 $aChristian art and symbolism.$2fast$0(OCoLC)fst00858904
650 7 $aArt, Medieval.$2fast$0(OCoLC)fst00816576
650 7 $aCrosses in art.$2fast$0(OCoLC)fst00884193
651 7 $aMassachusetts$zBoston.$2fast$0(OCoLC)fst01205012
655 7 $aArt.$2fast$0(OCoLC)fst01423702
700 1 $aFozi, Shirin,$eeditor.
700 1 $aLutz, Gerhard,$eeditor.
830 0 $aStudies in the visual cultures of the Middle Ages ;$vv. 16.
852 00 $boff,fax$hN8053$i.C47 2020g