MARC Record from marc_columbia

LEADER: 03369cam a2200505 i 4500
001 14599912
005 20200210102542.0
008 190225t20192019ilug b 001 0 eng c
010 $a 2019009192
024 $a40029676757
035 $a(OCoLC)on1089841612
040 $aICU/DLC$beng$erda$cDLC$dYDX$dOCLCO$dBDX$dOCLCF$dOCLCQ$dOCLCO$dUKMGB$dTJC$dNYP$dTEU$dEAU
019 $a1089844692
020 $a9780226663548$q(cloth ;$qalk. paper)
020 $a022666354X$q(cloth ;$qalk. paper)
020 $z9780226663685$q(e-book)
035 $a(OCoLC)1089841612$z(OCoLC)1089844692
042 $apcc
043 $ae-it---
050 00 $aML410.R835$bS24 2019
082 00 $a782.1092$223
100 1 $aSenici, Emanuele,$eauthor.
245 10 $aMusic in the present tense :$bRossini's Italian operas in their time /$cEmanuele Senici.
264 1 $aChicago ;$aLondon :$bThe University of Chicago Press,$c2019.
264 4 $c©2019
300 $axii, 358 pages :$bmusic ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aOpera lab : explorations in history, technology, and performance
504 $aIncludes bibliographical references (pages 327-344) and index.
505 0 $aIntroduction -- Part I. Imitation ; Repetition ; Borrowing ; Style ; Genre ; Dramaturgy ; Noise -- Part II. Modernity ; Theatricality ; Repertory ; "Di tanti palpiti" ; Memory ; Pleasure ; Movement ; Belief -- Epilogue.
520 $a"In the early 1800s, Rossini's operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular return to operatic stages worldwide, but this recent fame has not been accompanied by a comparable critical reevaluation. Emanuele Senici's new book provides a fresh look at the motives behind the Rossinian furore and its aftermath by examining the composer's works in the historical context in which they were conceived, performed, seen, heard, and discussed. Situating the operas firmly within the social practices, cultural formations, ideological currents, and political events of early nineteenth-century Italy, Senici reveals Rossini's dramaturgy as a radically new and specifically Italian reaction to the epoch-making changes witnessed in Europe at the time. The first book-length study of Rossini's Italian operas to appear in English, Music in the present tense exposes new ways to explore nineteenth-century music and addresses crucial issues in the history of modernity, such as trauma, repetition, and the healing power of theatricality"--dust jacket flap.
600 10 $aRossini, Gioacchino,$d1792-1868.$tOperas.
600 10 $aRossini, Gioacchino,$d1792-1868$xAppreciation.
600 17 $aRossini, Gioacchino,$d1792-1868.$2fast$0(OCoLC)fst00038700
630 07 $aOperas (Rossini, Gioacchino)$2fast$0(OCoLC)fst01358968
650 0 $aOpera$zItaly$y19th century.
650 7 $aArt appreciation.$2fast$0(OCoLC)fst00815447
650 7 $aOpera.$2fast$0(OCoLC)fst01046145
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
648 7 $a1800-1899$2fast
776 08 $iebook version :$z9780226663685
830 0 $aOpera lab.
852 00 $bmus$hML410.R835$iS24 2019