MARC Record from marc_columbia

LEADER: 03227cam a2200433 i 4500
001 14924804
005 20200729111418.0
008 190823t20202020miua b 001 0 eng
010 $a 2019037367
024 $a40030025542
035 $a(OCoLC)on1107351623
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dYDX$dTJC
020 $a9780472131822$qhardcover
020 $a0472131826$qhardcover
020 $z9780472126552$qelectronic book
035 $a(OCoLC)1107351623
042 $apcc
050 00 $aML3534$b.H25 2020
082 00 $a781.66$223
100 1 $aHaddon, Mimi,$d1985-$eauthor.
245 10 $aWhat is post-punk? :$bgenre and identity in avant-garde popular music, 1977-82 /$cMimi Haddon.
264 1 $aAnn Arbor :$bUniversity of Michigan Press,$c2020.
264 4 $c©2020
300 $aviii, 226 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 199-215) and index.
505 0 $aDividing the New Wave : Emergence, genealogy, and signification -- Dub is the new black and the post-colonial politics of sonic space -- Post-punk or death disco? : Dance, rhythm, and white masculinity -- Post-punk women and the discourse of punk amateurism -- Between flesh and machines : "Modern" music and the "industrial" sound of post-punk's regional cities -- Epilogue : The "post" in post-punk.
520 $a"A great deal has been written about punk and the dramatic changes it wrought in the transatlantic world of pop music. A wave of new music that was strongly influenced by the politics and sounds of punk-but less raw, more commercially successful-followed close on punk's heels in the late 1970s. (Think Joy Division, The Raincoats, Human League, Public Image Limited, The Slits.) Post-punk has always been controversial to the influential fans of punk and rock (music writers as well as music fans): post-punk is more self-consciously "arty" and cosmopolitan, engaged with genres outside the predominantly white-identified rock family tree (particularly reggae and disco), and has always been willing to question the valuing of authenticity over artifice (and pleasure). Haddon focuses on how post-punk's push beyond the tropes of rock and punk challenged prevalent ideas about what makes pop music culturally valuable and commercially successful, showing how post-punk's emphasis on artifice, identity politics, and eclecticism opened the door to wider discussions of these topics in the context of other genres ranging from glam and New Wave to indie rock"--$cProvided by publisher.
650 0 $aPost-punk music$xHistory and criticism.
650 0 $aPopular music$y1971-1980$xHistory and criticism.
650 0 $aPopular music$y1981-1990$xHistory and criticism.
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aPost-punk music.$2fast$0(OCoLC)fst01922164
648 7 $a1971-1990$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aHaddon, Mimi, 1985-$tWhat is post-punk?$dAnn Arbor : University of Michigan Press, 2020.$z9780472126552$w(DLC) 2019037368
852 00 $bmus$hML3534$i.H25 2020