MARC Record from marc_columbia

LEADER: 05707cam a2200853 i 4500
001 14753680
005 20220423234716.0
006 m o d
007 cr |||||||||||
008 190509t20192019enk ob 001 0 eng
010 $a 2020693401
035 $a(OCoLC)on1100588444
035 $a(NNC)14753680
040 $aDLC$beng$erda$cDLC$dN$T$dEBLCP$dTYFRS$dYDX$dUKMGB$dOCLCF$dUKAHL$dOCLCO$dOCL$dNLW$dOCLCO
015 $aGBB995223$2bnb
016 7 $a019400756$2Uk
019 $a1101040624
020 $a9781315225999$q(ebk)
020 $a1315225999
020 $a9781351848794$q(ebook)
020 $a1351848798
020 $z9780415787390$q(pbk)
020 $z9780415787383$q(hbk)
020 $a9781351848800$q(electronic bk.)
020 $a1351848801$q(electronic bk.)
020 $a9781351848787$q(electronic bk. ;$qMobipocket)
020 $a135184878X$q(electronic bk. ;$qMobipocket)
020 $z0415787394
024 8 $a10.4324/9781315225999$2doi
035 $a(OCoLC)1100588444$z(OCoLC)1101040624
037 $a9781315225999$bTaylor & Francis
042 $apcc
050 00 $aPN1979.W57
072 7 $aPER$x009000$2bisacsh
072 7 $aPER$x007000$2bisacsh
072 7 $aSOC$x028000$2bisacsh
072 7 $aPER$x011000$2bisacsh
072 7 $aASZM$2bicssc
082 00 $a791.43082$223
049 $aZCUA
245 00 $aWomen and puppetry :$bcritical and historical investigations /$cedited by Alissa Mello, Claudia Orenstein, and Cariad Astles.
264 1 $aLondon ;$aNew York :$bRoutledge, Taylor and Francis Group,$c2019.
264 4 $c©2019
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
588 $aDescription based on print version record.
505 0 $aCover; Half Title; Title; Copyright; Dedication; Contents; List of figures; Notes on contributors; Foreword; Acknowledgments; Introduction; Part I Critical perspectives on women in puppet theatre; 1 The monster and the corpse: puppetry and the uncanniness of gender performance; 2 Modes of Pleasure: contemporary feminist erotic puppet theatre from İstanbul with love; 3 Women, marriage, and femininities: "Kkokdu Gaksi Geori" (or the "love triangle" scene) in the Korean traditional puppet play; 4 Erasure, intervention, and reconstruction: imagining women puppeteers in Myanmar
505 8 $aPart II Local contexts: challenges and transformations5 Werewere Liking, Vicky Tsikplonou, and Adama Lucie Bacco: female artists appropriating puppetry to empower women in West Africa; 6 Class, gender, and ritual puppetry: negotiating revival for the hakomawashi puppeteers of Tokushima, Japan; 7 Whispering women, shouting puppets: women and puppetry in Iran; 8 Suffragette Judy: Punch and Judy at suffrage fairs and exhibitions in Edwardian London; Part III Women practitioners speak; 9 Women and objects; 10 An expanded language; 11 A puppeteer in Taiwan; 12 Bricolages
505 8 $a13 Kenyan women in puppet theatre14 Papermoon Puppet Theatre: the journey of making contemporary puppet theatre come alive in the land of Java; 15 A fragile form; Index
520 $aWomen and Puppetry is the first publication dedicated to the study of women in the field of puppetry arts. It includes critical articles and personal accounts that interrogate specific historical moments, cultural contexts, and notions of "woman" on and off stage. Part I, "Critical Perspective," includes historical and contemporary analyses of women's roles in society, gender anxiety revealed through the unmarked puppet body, and sexual expression within oppressive social contexts. Part II, "Local Contexts: Challenges and Transformations," investigates work of female practitioners within specific cultural contexts to illuminate how women are intervening in traditionally male spaces. Each chapter in Part II offers brief accounts of specific social histories, barriers, and gender biases that women have faced, and the opportunities afforded female creative leaders to appropriate, revive, and transform performance traditions. And in Part III, "Women Practitioners Speak," contemporary artists reflect on their experiences as female practitioners within the art of puppet theatre. Representing female writers and practitioners from across the globe, Women and Puppetry offers students and scholars a comprehensive interrogation of the challenges and opportunities that women face in this unique art form.
650 0 $aWomen puppeteers.
650 0 $aPuppet theater$xHistory.
650 0 $aWomen in the theater.
650 6 $aThéâtre de marionnettes$xHistoire.
650 6 $aFemmes au théâtre.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aPERFORMING ARTS$xPuppets & Puppetry.$2bisacsh
650 7 $aSOCIAL SCIENCE$xWomen's Studies.$2bisacsh
650 7 $aPERFORMING ARTS$xTheater$xGeneral.$2bisacsh
650 7 $aWomen in the theater.$2fast$0(OCoLC)fst01178050
650 7 $aPuppet theater.$2fast$0(OCoLC)fst01084220
650 7 $aWomen puppeteers.$2fast$0(OCoLC)fst01895905
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aMello, Alissa,$eeditor.
700 1 $aOrenstein, Claudia,$editor.
700 1 $aAstles, Cariad,$eeditor.
776 08 $iPrint version:$tWomen and puppetry$dLondon ; New York : Routledge, Taylor & Francis Group, 2019.$z9780415787383$w(DLC) 2018052276
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14753680$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS