| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:120512241:3973 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:120512241:3973?format=raw |
LEADER: 03973cam a2200805 i 4500
001 14752521
005 20220507232845.0
006 m o d
007 cr |||||||||||
008 190402s2019 enka ob 001 0 eng
010 $a 2020693486
035 $a(OCoLC)on1091191073
035 $a(NNC)14752521
040 $aDLC$beng$erda$cDLC$dYDX$dTYFRS$dEBLCP$dUKMGB$dUKAHL$dN$T$dOCLCO
015 $aGBB964093$2bnb
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019 $a1099671111$a1108157441$a1128171749$a1153450194
020 $a9780429202056$q(eBook)
020 $a0429202059
020 $a9780429514142$qebook
020 $a042951414X
020 $z9781138189355$q(hardcover)
020 $z9781138189379$q(softcover)
020 $a9780429510717$q(electronic bk. ;$qPDF)
020 $a0429510713$q(electronic bk. ;$qPDF)
020 $a9780429517570$q(electronic bk. ;$qMobipocket)
020 $a0429517572$q(electronic bk. ;$qMobipocket)
020 $z1138189359
020 $z1138189375
024 8 $a10.4324/9780429202056$2doi
035 $a(OCoLC)1091191073$z(OCoLC)1099671111$z(OCoLC)1108157441$z(OCoLC)1128171749$z(OCoLC)1153450194
037 $a9780429514142$bIngram Content Group
050 00 $aPN1751
072 7 $aBIO$x007000$2bisacsh
072 7 $aHIS$x000000$2bisacsh
072 7 $aHIS$x010000$2bisacsh
072 7 $aHIS$x015000$2bisacsh
072 7 $aAN$2bicssc
082 00 $a809.2/02$223
049 $aZCUA
100 1 $aVan Pelt, Nadia Thérèse,$eauthor.
245 10 $aDrama in medieval and early modern Europe :$bplaymakers and their strategies /$cNadia Thérèse van Pelt.
264 1 $aLondon ;$aNew York :$bRoutledge,$c2019.
300 $a1 online resource.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 0 $aThemes in medieval and early modern history
520 $a"Drama in Medieval and Early Modern Europe moves away from the customary conceptual framework that artificially separates 'medieval' from 'early modern' drama to explore the role of drama, ritual and spectacle in England, Scotland, France, the Low Countries, Spain, Italy, Switzerland, and the German-speaking areas that now constitute Austria and Germany.It is ideal for students of social history, and the history of medieval and early modern drama or literature"--$cProvided by publisher.
504 $aIncludes bibliographical references (pages 128-141) and index.
505 0 $aMass murder: shocking spectators of late medieval sacrament plays -- The strumpet saint: eroticism and artifice in Mary Magdalene plays -- Wilhelm Tell and Robin Hood, outlaws or elite? -- The perils of public festivity -- Conclusion: playmakers and their strategies.
588 $aDescription based on print version record.
650 0 $aDrama, Medieval$xHistory and criticism.
650 0 $aEuropean drama$y16th century$xHistory and criticism.
650 0 $aEuropean drama$y17th century$xHistory and criticism.
650 6 $aThéâtre médiéval$xHistoire et critique.
650 6 $aThéâtre européen$y16e siècle$xHistoire et critique.
650 6 $aThéâtre européen$y17e siècle$xHistoire et critique.
650 7 $aBIOGRAPHY & AUTOBIOGRAPHY$xLiterary.$2bisacsh
650 7 $aHISTORY$xGeneral.$2bisacsh
650 7 $aHISTORY$zEurope$xGeneral.$2bisacsh
650 7 $aHISTORY$zEurope$zGreat Britain.$2bisacsh
650 7 $aDrama, Medieval.$2fast$0(OCoLC)fst00897538
650 7 $aEuropean drama.$2fast$0(OCoLC)fst00916697
648 7 $a1500-1699$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$tDrama in medieval and early modern Europe$dLondon ; New York : Routledge, 2019.$z9781138189355$w(DLC) 2018054777
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14752521$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS