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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-030.mrc:109700013:5093
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:109700013:5093?format=raw

LEADER: 05093cam a2200553Mi 4500
001 14747866
005 20220423234457.0
006 m o d
007 cr |||||||||||
008 180706s2017 enk ob 001 0 eng d
035 $a(OCoLC)on1067239813
035 $a(NNC)14747866
040 $aUWO$beng$erda$epn$cUWO$dTYFRS$dOCLCO$dOCLCF$dOCLCQ$dOCLCO$dOCL$dK6U$dOCLCO
020 $a9781351323239$q(e-book ;$qPDF)$q(e-book ;$qPDF)
020 $a1351323237
020 $a9781351323215$q(e-book ;$qMobi)
020 $a1351323210
020 $z9780765802149$q(hardback)
020 $z9781412805636$q(paperback)
024 7 $a10.4324/9781351323246$2doi
035 $a(OCoLC)1067239813
043 $an-us-pa
050 4 $aN5220.B28$bM494 2017
082 04 $a709.2
049 $aZCUA
100 1 $aMeyers, Mary Ann,$eauthor.
245 10 $aArt, Education, and African-American Culture :$bAlbert Barnes and the Science of Philanthropy /$cMary Ann Meyers.
250 $aFirst edition.
264 1 $aLondon :$bTaylor and Francis,$c2017.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
520 2 $a"A physician who applied his knowledge of chemistry to the manufacture of a widely used antiseptic, Albert Barnes is best remembered as one of the great American art collectors. The Barnes Foundation, which houses his treasures, is a fabled repository of Impressionist, post-Impressionist, and early modern paintings. Less well known is the fact that Barnes attributed his passion for collecting art to his youthful experience of African-American culture, especially music. Art, Education, and African-American Culture is both a biography of an iconoclastic and innovative figure and a study of the often-conflicted efforts of an emergent liberalism to seek out and showcase African American contributions to the American aesthetic tradition. Mary Ann Meyers examines Barnes's background and career and the development and evolution of his enthusiasm for collecting pictures and sculpture. She shows how Barnes's commitment to breaking down invidious distinctions and his use of the uniquely arranged works in his collection as textbooks for his school, created a milieu where masterpieces of European and American late-nineteenth and early-twentieth century painting, along with rare and beautiful African art objects, became a backdrop for endless feuding. A gallery requiring renovation, a trust prohibiting the loan or sale of a single picture, and the efforts of Lincoln University, known as the "black Princeton," to balance conflicting needs and obligations all conspired to create a legacy of legal entanglement and disputes that remain in contention. This volume is neither an idealized account of a quixotic do-gooder nor is it a critique of a crank. While fully documenting Barnes's notorious eccentricities along with the clashing interests of the main personalities associated with his Foundation, Meyers eschews moral posturing in favor of a rich mosaic of peoples and institutions that illustrate many of the larger themes of American culture in general and African-American culture in particular."--Provided by publisher.
505 00 $tChapter 1 The Early Years /$rMary Ann Meyers --$tchapter 2 Experiments in Education and Living /$rMary Ann Meyers --$tchapter 3 The Collector and His Tutors /$rMary Ann Meyers --$tchapter 4 Mr. Dewey /$rMary Ann Meyers --$tchapter 5 "The Temple" in Merion /$rMary Ann Meyers --$tchapter 6 The Art in Painting /$rMary Ann Meyers --$tchapter 7 The Art of Polemics /$rMary Ann Meyers --$tchapter 8 A New Valuation of Black Art /$rMary Ann Meyers --$tchapter 9 Muse, Models, Museum /$rMary Ann Meyers --$tchapter 10 The Dance /$rMary Ann Meyers --$tchapter 11 Varieties of Aesthetic Experience /$rMary Ann Meyers --$tchapter 12 Students and Teachers /$rMary Ann Meyers --$tchapter 13 Penn Again /$rMary Ann Meyers --$tchapter 14 The Last Alliance /$rMary Ann Meyers --$tchapter 15 Postmortem /$rMary Ann Meyers --$tchapter 16 Lincoln /$rMary Ann Meyers --$tchapter 17 Neighbors /$rMary Ann Meyers --$tchapter 18 Epilogue /$rMary Ann Meyers.
600 10 $aBarnes, Albert C.$q(Albert Coombs),$d1872-1951$xKnowledge$xAfrican American arts.
600 17 $aBarnes, Albert C.$q(Albert Coombs),$d1872-1951.$2fast$0(OCoLC)fst00081107
650 0 $aArt$xCollectors and collecting$zPennsylvania$vBiography.
650 6 $aArt$xCollectionneurs et collections$zPennsylvanie$vBiographies.
650 7 $aAfrican American arts.$2fast$0(OCoLC)fst00799021
650 7 $aArt$xCollectors and collecting.$2fast$0(OCoLC)fst00815195
651 7 $aPennsylvania.$2fast$0(OCoLC)fst01204598
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
776 08 $iPrint version:$z9780765802149
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14747866$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS