MARC Record from marc_columbia

LEADER: 06197cam a2200613 i 4500
001 14439662
005 20200106113032.0
008 190703s2019 bl a bc 000 0 eng d
010 $a 2019309805
035 $a(OCoLC)on1104329640
040 $aAS0$beng$erda$cDLC$dAS0$dOCLCF$dOCLCO$dH7K$dJPG
020 $a9788594195289
020 $a8594195281
035 $a(OCoLC)1104329640
041 0 $aeng$apor
042 $alccopycat
050 00 $aNE490$b.A75 2019
049 $aZCUA
245 00 $aAtelier 17 e a gravura moderna nas Américas /$corganizadores, Carolina Rosetti de Toledo, Ana Gonçalves Magalhães, Peter John Brownlee.
246 1 $iEnglish title from introduction :$aAtelier 17 and modern printmaking in the Americas
246 3 $aAtelier dezessete e a gravura moderna nas Américas
246 3 $aAtelier seventeen and modern printmaking in the Americas
264 1 $aSão Paulo :$bUniversidade de São Paulo, Museu de Arte Contemporânea--MAC USP ;$a[Chicago, Illinois] :$bTerra Foundation for American Art,$c2019.
300 $a308 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held at Museu de Arte Contemporânea da Universidade de São Paulo, March 23-June 2, 2019.
500 $a"This exhibition is organized by the Museu de Arte Contemporânea da Universidade de São Paulo and the Terra Foundation for American Art"--Title page verso.
500 $aA related international conference and minicourse were also produced.
500 $aThe exhibition features 53 prints from the MAC USP and various U.S. institutions.
504 $aIncludes bibliographical references.
505 0 $aO Atelier 17 no Trópico de Capricórnio. O Museu de Arte Moderna (MAM), a Bienal de São Paulo e a Gravura Norte-Americana da Perspectiva do Brasil / Ana Magalhães -- Diplomacia Impressa: Gravuras na Coleção da Terra Foundation for American Art / Peter John Brownlee -- Gravuras Norte-Americanas no MAC USP: Itinerário de uma Coleção / Carolina Rossetti de Toledo -- Arte é Algo que Você Passa Adiante / Ruth Fine -- O Atelier 17 e seu Fundador, Stanley William Hayter / Ann Shafer -- Mudança de Foco: Mulheres Gravuristas do Atelier 17 / Christina Weyl -- Lívio Abramo: Aprendizado e Docência / Priscila Sacchettin -- A Coleção de Gravuras de Geraldo de Barros no MAC USP e Algumas Hipóteses sobre sua Passagem pelo Atelier 17 / Heloisa Espada -- Hayter com Ares de Tango. Presença e Impacto do Atelier 17 no Campo da Gravura Argentina de Meados do Século XX / Silvia Dolinko -- Novas e Velhas Jornadas da Gravura de Estampa / Claudio Mubarac -- Fred Becker: Floresta Aérea IV (Aerial Jungle IV), 1948 -- Minna Citron: Lula sob Pier (Squid Under Pier), 1948 -- Arthur Wesley Dow: Moonrise, c. 1898-1905 -- John Ferren: Sea Forms, 1937 -- Sue Fuller: Hen (Galinha), 1945 -- Stanley William Hayter: Tarantela (Tarantelle), 1943 ; Cinq Personnages, 1946 -- Rockwell Kent: Flame, 1928 -- Armin Landeck: Studio Interior n 1, 1935 ; Alleyway (Passagem no Beco), 1948 -- Blanche Lazzell: Still Life, 1919 [block cut], 1931 (printed) -- Boris Margo: The Sea (O Mar), 1948-49 -- John Marin: Brooklyn Bridge n 6, 1913 -- Seong Moy: The Little Act on Horseback (Pequeno Ato a Cavalo), 1949 -- Gabor Peterdi: Sign of the Lobster (Marca da Lagosta), 1947-1948 -- Walter Rogalski: Fiddlers (Caranguejos), s.d. -- Louis Schanker: Carnival (Carnaval), 1948 -- William Zorach: Mountain Stream, 1915 -- Glossário / Ruth Fine -- Lista de Obras.
520 $aA collaboration between the Museu de Arte Contemporânea da Universidade de São Paulo (MAC-USP), and the Terra Foundation for American Art, the exhibition explores the influence of artist and printmaker Stanley William Hayter (19011988) on the evolution of printmaking in the United States and Brazil during the first half of the 20th century. Assembled around a never-before exhibited group of prints gifted in 1951 to MAC-USP by American philanthropist Nelson Rockefeller (19081979) and another smaller group gifted by Lessing Roswenwald, the exhibition highlights the impact that Hayter, well known as an experimental printmaker and teacher, had on a vast group of established and emerging artists. Centered on key prints by Hayter, the works made by Atelier 17 go far beyond the borders of the United States of America and Europe, with echoes on the production of Brazilian artists at the time, such as Geraldo de Barros and Lívio Abramo (these names having large presence in the MAC USP collection). The exhibition has its origins in the research by Carolina Rossetti de Toledo for her Master thesis on the Nelson Rockefeller (1908-1979) donations to encourage the creation of modern art museums in Brazil. The research has found that the engravings now gathered in the MAC USP collection here exhibited were donated to the Museum of Modern Art of São Paulo (MAM) by Rockefeller in 1951.
546 $aParallel texts in English and Portuguese.
650 0 $aPrints, American$y20th century$vExhibitions.
650 0 $aPrints, Brazilian$y20th century$vExhibitions.
610 20 $aAtelier 17$vExhibitions.
610 27 $aAtelier 17.$2fast$0(OCoLC)fst00661943
650 7 $aPrints, American.$2fast$0(OCoLC)fst01076848
650 7 $aPrints, Brazilian.$2fast$0(OCoLC)fst01076868
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aRosetti de Toledo, Carolina,$eorganizer.
700 1 $aMagalhães, Ana Gonçalves,$eorganizer.
700 1 $aBrownlee, Peter John,$eorganizer.
710 22 $aAtelier 17.$tWorks.$kSelections.
710 2 $aTerra Foundation for American Art,$esponsoring body.
710 2 $aUniversidade de São Paulo.$bMuseu de Arte Contemporânea,$ehost institution.
730 02 $aAtelier 17 e a gravura moderna nas Américas.
730 02 $aAtelier 17 e a gravura moderna nas Américas.$lPortuguese.
852 00 $bfaxlc$hNE490$i.A75 2019g