Record ID | marc_columbia/Columbia-extract-20221130-029.mrc:14077967:1931 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-029.mrc:14077967:1931?format=raw |
LEADER: 01931cam a2200337Ia 4500
001 14217869
005 20191118142632.0
008 190718s2019 be a c 000 0 eng d
035 $a(OCoLC)on1105596693
040 $aERASA$beng$cERASA$dJPG$dOCLCF
020 $a9782930573298
020 $a2930573295
035 $a(OCoLC)1105596693
041 0 $aeng$afre
050 4 $aN6537.C66$bA4 2019
082 04 $a700.411
049 $aZCUA
100 1 $aCondo, George.
245 10 $aGeorge Condo :$blife is worth living /$cinterviewer, Bernard Ruiz Picasso.
246 30 $aLife is worth living
260 $aElsene :$bAlmine Rech,$c2019.
300 $a91 p. :$bill. (chiefly col.) ;$c31 cm.
500 $aCatalog of an exhibition held at Almine Rech Gallery, Paris, France, October 14-November 18, 2017.
520 8 $aGeorge Condo was born in Concord, New Hampshire in 1957. He studied Art History and Music Theory at the University of Massachusetts in Lowell. He has occupied a prominent position in the art world for close to three decades. Condo?s art can be viewed as a multi-layered experience incorporating art historical references ranging from European classicism to American contemporary culture, often combining elements of each to achieve a unique vision informed by all its sources. In his New Yorker profile on the artist, Calvin Tomkins observed that ?instead of borrowing images or styles, [Condo] used the language of his predecessors, their methods and techniques, and applied them to subjects they would never have painted.?00Exhibition: Almine Rech Gallery, Paris, France (14.10.-18.11.2017).
546 $aParallel texts in English and French.
600 10 $aCondo, George$vExhibitions.
600 17 $aCondo, George.$2fast$0(OCoLC)fst00234812
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aPicasso, Bernard Ruiz-
710 2 $aAlmine Rech Gallery.
852 00 $boff,ave$hN6537.C62$iA4 2019g