MARC Record from marc_columbia

LEADER: 04079cam a2200529I 4500
001 14433453
005 20210907085050.0
008 181119s2020 no a 000 0 eng d
035 $a(OCoLC)on1232108611
040 $aBMA$beng$cBMA$dOCLCO$dOCLCF$dVA@
020 $a9789492095626$q(paperback)
020 $a9492095629$q(paperback)
035 $a(OCoLC)1232108611
050 4 $aN6351.2.I53$bM39 2020
049 $aZCUA
100 1 $aHætta, Susanne.
245 10 $aMázejoavku :$bindigenous collectivity and art /$cby Susanne Hætta ; edited by Katya García-Antón ; with texts by Liisa-Rávná Finbog, Katya García-Antón and Kimberly Moulton.
264 1 $a[Oslo] ;$a[Kautokeino] :$bOffice for Contemporary Art Norway :$bDAT,$c2020.
264 4 $c©2020
300 $a232 pages :$bcolor illustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aThe book documents the history of the legendary Sámi artist collective Mázejoavku (1978-1983), and deals with the importance of the group historically and also in relation to other Sámi artists and Indigenous collectives and practitioners globally today. The Sámi Artist Group was the first generation of young Sámi artists to regain pride in their Sámi heritage, to express their Sáminess freely, and to reclaim a renewed space within Sápmi by advocating and negotiating Sámi thinking and being through the arts. The book is based on individual interviews and extensive research by author Susanne Hætta. In addition it includes a rich selection of archival photographic material, as well as texts by Yorta Yorta curator and writer Kimberley Moulton, Spanish/British art historian Katya García-Antón and Sámi scholar and duojár Liisa-Rávná Finbog. The publication is edited by Katya García-Antón, and is co-published by Office for Contemporary Art Norway (OCA) and the Sámi publishing house DAT.
520 8 $aArtists and cultural practitioners from Indigenous communities around the world are increasingly in the international spotlight. As museums and curators race to consider the planetary reach of their art collections and exhibitions, this publication draws upon the challenges faced today by cultural workers, Indigenous and non-Indigenous, to engage meaningfully and ethically with the histories, presents and futures of Indigenous cultural practices and world-views. Sixteen Indigenous voices convene to consider some of the most burning questions surrounding this field. How will novel methodologies of word/voice-crafting be constituted to empower the Indigenous discourses of the future? Is it sufficient to expand the Modernist art-historical canon through the politics of inclusion? Is this expansion a new form of colonisation, or does it foster the cosmopolitan thought that Indigenous communities have always inhabited? To whom does the much talked-of 'Indigenous Turn' belong? Does it represent a hegemonic project of introspection and revision in the face of today's ecocidal, genocidal and existential crises?
600 10 $aPersen, Rannveig,$d1953-
600 10 $aGaup, Aage,$d1943-
600 10 $aGuttormsen, Trygve Lund,$d1933-2012.
600 10 $aHætta, Berit Marit.
600 10 $aPersen, Synnøve.
600 10 $aHalse, Josef,$d1951-
610 20 $aMázejoavku.
650 0 $aArt, Sami.
650 0 $aIndigenous art.
650 0 $aIndigenous art$zNorway.
650 0 $aArt$xHistory.
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aArt, Sami.$2fast$0(OCoLC)fst01736218
650 7 $aIndigenous art.$2fast$0(OCoLC)fst01741814
651 7 $aNorway.$2fast$0(OCoLC)fst01204556
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aFinbog, Liisa-Rávná.$eauthor
700 1 $aGarcía-Antón, Katya,$eauthor,$eeditor.
700 1 $aMoulton, Kimberley.$eauthor
852 00 $bfaxlc$hN6351.2.I53$iS68 2018g
852 00 $boff,fax$hN6351.2.I53$iS68 2018g