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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-029.mrc:118464781:6404
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-029.mrc:118464781:6404?format=raw

LEADER: 06404cam a2200961 i 4500
001 14400357
005 20191226082721.0
008 191116t20192019oncac f bc 000 0 eng
035 $a(OCoLC)on1080218360
040 $aNLC$beng$erda$cNLC$dOCLCO$dNLC$dOCLCF$dNLC$dJHE$dIUL$dOCLCO$dVOD$dOCLCO$dSFR$dFDA$dUAB$dBRL$dCNNGC$dPAU$dEYM$dOCLCO$dPUL$dPX0$dYDX$dOCLCO$dTEU$dFSJ$dYDX$dEAU$dGUA$dNLGGC$dOCLCO$dEUM$dNZLPP$dTOH$dZWZ$dOCLCO$dOHX$dOCLCA
015 $a20189063696$2can
016 $a(AMICUS)000045305266
019 $a1091129717$a1102648711
020 $z9781988788104$qhardcover$qArt Gallery of Ontario
020 $z1988788102$qhardcover$qArt Gallery of Ontario
020 $a9783791358444$q(hardcover ;$qDelMonico Books)
020 $a3791358448$q(hardcover ;$qDelMonico Books)
024 30 $a9783791358444
024 30 $a9781988788-10$c-4
035 $a(OCoLC)1080218360$z(OCoLC)1091129717$z(OCoLC)1102648711
041 0 $aeng
050 4 $aND673.R9$bA4 2019
055 0 $aND673.R9$bA4 2019
082 04 $a759.9493$223
084 $acci1icc$2lacc
084 $acoll13$2lacc
049 $aZCUA
245 00 $aEarly Rubens /$cedited by Sasha Suda and Kirk Nickel.
264 1 $aToronto, Ontario :$bArt Gallery of Ontario ;$aSan Francisco, California :$bde Young ;$aMunich, Germany ;$aLondon, England ;$aNew York, New York :$bDelMonico Books, Prestel,$c2019.
264 4 $c©2019
300 $a293 pages :$billustrations (chiefly color), portraits ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog to accompany the exhibition "Early Rubens" held at the Fine Arts Museums of San Francisco from April 6 to September 2, 2019, and at the Art Gallery of Ontario from October 12, 2019 to January 5, 2020.
504 $aIncludes bibliographical references.
505 00 $tRubens: the jewel of Antwerp's ring /$rSasha Suda --$tConflicting visions /$rKirk Nickel --$tRubens's appropriation of the ancient world /$rDavid Jaffé --$tRubens's The Massacre of the Innocents and Italian art /$rDavid Franklin --$tThe art of entanglement: Rubens and religious commissioned art during the Twelve Years' Truce /$rBert Timmermans --$tThe master as manager: Rubens and the Carleton exchange /$rAlexandra Libby --$tThe bigger picture: Rubens and his workshop during the Twelve Years' Truce /$rKoen Bulckens --$tRubens's early involvement in printmaking /$rJaco Rutgers --$gExhibited works --$gChronology --$gList of works.
518 $o"Early Rubens" :$dApril 6-September 2, 2019,$pthe Fine Arts Museums of San Francisco, San Francisco, California, United States.
518 $o"Early Rubens" :$dOctober 12, 2019-January 5, 2020,$pthe Art Gallery of Ontario, Toronto, Ontario, Canada.
546 $aText in English.
520 $aIn 1600, Peter Paul Rubens left his home in Antwerp to travel to Italy and study the Italian masters. Eight years later, he returned to Belgium and quickly established himself as one of the foremost painters in Western Europe. This book explores Rubens' work from 1609 until 1621 and how, acutely aware of the possibilities for commercial success, he rose to fame by establishing a "brand" and promoting himself. He created multiple versions of paintings with subjects that had proven to be successful, used similar subject matter to that used by famous artists in the past, and sought collaborators to create more ambitious works than he could have done alone. He also created a studio and workshop with numerous students and assistants, the most famous being Anthony van Dyck who frequently collaborated with Rubens. Through paintings, drawings, and prints, this book shows how a desire for commercial success influenced and changed Rubens' artistic style. Essays delve into Italy's effect on Rubens, on the narrative aspect of his paintings, and how he managed commissions from famous patrons. Filled with new insights on the most fruitful phase of Rubens' career, this book offers a refreshing look at one of the most influential Baroque artists.
600 10 $aRubens, Peter Paul,$d1577-1640$vExhibitions.
600 10 $aRubens, Peter Paul,$d1577-1640$xCriticism and interpretation.
600 10 $aRubens, Peter Paul,$d1577-1640$xThemes, motives.
650 0 $aPainting, Flemish$y17th century$vExhibitions.
650 0 $aPainting, Baroque$y17th century$vExhibitions.
600 14 $aRubens, Peter Paul,$d1577-1640.
600 16 $aRubens, Peter Paul,$d1577-1640$vExpositions.
600 17 $aRubens, Peter Paul,$d1577-1640.$2fast$0(OCoLC)fst01759948
650 7 $aPainting, Baroque.$2fast$0(OCoLC)fst01050685
650 7 $aPainting, Flemish.$2fast$0(OCoLC)fst01050822
650 7 $aThemes, motives.$2fast$0(OCoLC)fst01355139
600 17 $aRubens, Petrus Paulus$d(1577-1640)$xCatalogues d'exposition.$2ram
648 7 $a1600-1699$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aEssays.$2fast$0(OCoLC)fst01919922
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aIllustrated works.$2fast$0(OCoLC)fst01423873
655 7 $aPortraits.$2fast$0(OCoLC)fst01423831
655 7 $aExhibition catalogs.$2gmgpc
655 7 $aExhibition catalogs.$2lcgft
655 7 $aEssays.$2lcgft
655 7 $aPortraits.$2lcgft
655 7 $aIllustrated works.$2lcgft
700 1 $aSuda, Alexandra,$eeditor,$eauthor.
700 1 $aNickel, Kirk,$d1979-$eeditor,$eauthor.
700 1 $aJaffé, David,$d1953-$eauthor.
700 1 $aFranklin, David,$d1961-$eauthor.
700 1 $aTimmermans, Bert,$eauthor.
700 1 $aLibby, Alexandra,$eauthor.
700 1 $aBulckens, Koen,$eauthor.
700 1 $aRutgers, Jaco,$eauthor.
700 12 $aRubens, Peter Paul,$d1577-1640.$tWorks.$kSelections.
710 2 $aArt Gallery of Ontario,$eissuing body,$epublisher,$eorganizer,$ehost institution.
710 2 $aFine Arts Museums of San Francisco,$eissuing body,$epublisher,$eorganizer,$ehost institution.
710 2 $aPrestel Verlag,$epublisher.
752 $aCanada$bOntario$dToronto.
752 $aUnited States$bCalifornia$dSan Francisco.
752 $aGermany$bBavaria$dMunich.
752 $aUnited Kingdom$bEngland$dLondon.
752 $aUnited States$bNew York (State)$dNew York.
852 00 $bfaxlc$hND673.R9$iA4 2019g