MARC Record from marc_columbia

LEADER: 02600cam a2200385Mi 4500
001 13516536
005 20181022143448.0
008 180309s2018 nyu 000 0 eng d
019 $a991718823
020 $a9781501335983$qhardcover
020 $a1501335987$qhardcover
024 $a40028428072
035 $a(OCoLC)1049208889
035 $a(OCoLC)on1049208889
035 $a(NNC)13516536
040 $aERASA$beng$erda$cERASA$dOCLCO$dYDX$dBTCTA$dBDX$dNhCcYBP
043 $aff-----$ae-fr---
050 4 $aPN1995.9.B62$bD38 2018
082 04 $a791.43/65610961$223
100 1 $aDavies Hayon, Kaya,$eauthor.
245 10 $aSensuous cinema :$bthe body in contemporary Maghrebi film /$cKaya Davies Hayon.
264 1 $aNew York :$bBloomsbury Academic$c2018.
300 $avi, 181 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThinking Cinema ;$vvolume 7
520 8 $aSensuous Cinema: The Body in Contemporary Maghrebi Film examines a cluster of recent films that feature Maghrebi(-French) people and position corporeality as a site through which subjectivity and self-other relations are constituted and experienced. These films are set in and between the countries of the Maghreb, France and, to a lesser degree, Switzerland, and often adopt a sensual aesthetic that prioritizes embodied knowledge, the interrelation of the senses and the material realities of emotional experience. However, despite the importance of the body in these films, no study to date has taken corporeality as its primary point of concern. This new addition to the Thinking Cinema series interweaves corporeal phenomenology with theological and feminist scholarship on the body from the Maghreb and the Middle East to examine how Maghrebi(-French) people of different genders, ethnicities, sexualities, ages and classes have been represented corporeally in contemporary Maghrebi and French cinemas. Via detailed textual and phenomenological analyses of films such as Red Satin (Amari 2002), Exiles (Gatlif 2004), Couscous (Kechiche 2007) and Salvation Army (Taia 2014), Kaya Hayon Davies conveys the pivotal role that corporeality plays in articulating identity and the emotions in these films.
650 0 $aHuman body in motion pictures.
650 0 $aNorth Africans in motion pictures.
650 0 $aMotion pictures$zAfrica, North$xHistory.
650 0 $aMotion pictures, French$xHistory.
650 0 $aMotion pictures$zFrance$xHistory.
830 0 $aThinking Cinema ;$vv. 7.
852 00 $bglx$hPN1995.9.B62$iD38 2018