| Record ID | marc_columbia/Columbia-extract-20221130-028.mrc:62097085:2751 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-028.mrc:62097085:2751?format=raw |
LEADER: 02751cam a2200445Mi 4500
001 13599167
005 20190216174242.0
008 180412t20182018enka c 000 0 eng d
019 $a1031043665$a1031314953
020 $a9781906967895$qhardcover
020 $a190696789X$qhardcover
035 $a(OCoLC)1031191658
035 $a(POOF2)18638
035 $a(NNC)13599167
040 $aYDX$beng$erda$cYDX$dBRZ$dSFMMA$dYDX$dOCLCF$dOCLCO
050 4 $aND497.H8538$bA4 2018
082 04 $a759.2$223
245 00 $aRachel Howard :$brepetition is truth : Via Dolorosa /$cedited by Jason Beard, Amie Corry ; artworks, Rachel Howard ; [interview] Anna Moszynska/Rachel Howard ; [essay] Mario Codognato.
264 1 $a[London, England] :$bOther Criteria Books,$c[2018]
264 4 $c©2018
300 $a52 pages :$billustrations ;$c32 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aArtist interviewed by Anna Moszynska.
500 $aPublished on the occasion of the exhibition held at Newport Street Gallery, London, February 21-May 28, 2018.
520 8 $aReligion, repetition, mortality and violence -- particularly controlled violence -- are enduring themes in Howard's work. These fourteen, large-scale paintings are accompanied by a small 2005 study of Ali Shallal al-Qaisi, the Iraqi detainee who was photographed being subjected to torture at the hands of American soldiers in Abu Ghraib prison in 2003. When these now-infamous images of Ali Shallal al-Qaisi -- hooded and standing on a box in a cruciform position -- were released in 2004, Howard took particular note of the box. She explains: "The box is almost like a plinth -- I was thinking about the cross, the Crucifixion, and how it related to this box as a twenty-first century place of horror, humiliation and human rights atrocities, and I couldn't help but connect the two." As one moves between the Stations, the box variously emerges, or appears almost submerged in the paint, before eventually vanishing.
600 17 $aHoward, Rachel,$d1969-$2fast$0(OCoLC)fst01951270
600 10 $aHoward, Rachel,$d1969-$vInterviews.
600 10 $aHoward, Rachel,$d1969-$vExhibitions.
650 7 $aStations of the Cross in art.$2fast$0(OCoLC)fst01132054
650 0 $aStations of the Cross in art$vExhibitions.
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aCorry, Amie,$eeditor.
700 1 $aBeard, Jason,$eeditor.
700 12 $aHoward, Rachel,$d1969-$tPaintings.$kSelections.
710 2 $aNewport Street Gallery,$ehost institution.
852 00 $bfaxlc$hND497.H854$iA4 2018g