MARC Record from marc_columbia

LEADER: 03710cam a2200649Ii 4500
001 13561279
005 20220124170903.0
008 181011t20182018caua bc 000 0 eng d
035 $a(OCoLC)on1028844061
040 $aXDX$beng$erda$cYDX$dYDX$dJHE$dSTF$dCIA$dAU@$dTEU$dHFL$dNMWMA$dUWO$dCLE$dHDC$dOCLCO$dZCU
019 $a1028646395
020 $a0997930624$q(hardcover)
020 $a9780997930627$q(hardcover)
035 $a(OCoLC)1028844061$z(OCoLC)1028646395
043 $aa-iq---$an-us-ca
050 4 $aND967.K34$bA4 2018
050 4 $aN6537.K2295$bA4 2018
082 04 $a759.9567$223
049 $aZCUA
100 1 $aKahraman, Hayv,$d1981-$eartist.
245 10 $aHayv Kahraman /$cedited by Rebecca McGrew ; contributions by Sinan Antoon, Hayv Kahraman, Madina Tlostanova.
264 1 $aClaremont, CA :$bPomona College Museum of Art,$c[2018]
264 2 $aNew York, NY :$bD.A.P./Distributed Art Publishers, Inc.
264 4 $c©2018
300 $a91 pages :$bcolor illustrations ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aProject series ;$v52
500 $a"Published on the occasion of the exhibition 'Project Series 52: Hayv Kahraman,' presented at the Pomona College Museum of Art, September 4-December 22, 2018."-- Colophon.
504 $aContains bibliographical references.
505 00 $gIntroduction:$tHayv Kahraman: weaving as mending /$rRebecca McGrew --$tRe-weaving one's world anew: Hayv Kahraman and the art of re-existence /$rMadina Tlostanova --$tDismemberment /$rSinan Antoon --$tBirth certificate /$rSinan Antoon --$tGendering memories of Iraq: a collective performance /$rHayv Kahraman.
520 $a"Kahraman's paintings take on themes of violence and involuntary migration as she processes her childhood in the war-torn country of Iraq and her adolescence in Sweden as a refugee. While Kahraman's work is intertwined with the histories of the Iran-Iraq and Gulf Wars, it is also invested in the idea of feminine collectivity, identity, belonging, and diasporic cultural memory. For Kahraman, the figure she paints represents herself as a colonized woman. Through the body of this woman, the repetitive nature of her work, and the act of shredding and mending, Kahraman grapples with a history of displacement, loss, memory, and trauma."-- Publisher's description.
600 10 $aKahraman, Hayv,$d1981-$vExhibitions.
650 0 $aPainting, Iraqi$y21st century$vExhibitions.
650 0 $aWomen artists$zIraq$vExhibitions.
650 0 $aWomen in art$vExhibitions.
650 0 $aWeaving in art$vExhibitions.
650 7 $aPainting, Iraqi.$2fast$0(OCoLC)fst01050901
650 7 $aWeaving in art.$2fast$0(OCoLC)fst01173220
650 7 $aWomen artists.$2fast$0(OCoLC)fst01177159
650 7 $aWomen in art.$2fast$0(OCoLC)fst01177826
651 7 $aIraq.$2fast$0(OCoLC)fst01205757
648 7 $a2000-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aMcGrew, Rebecca,$eeditor.
700 1 $aAntoon, Sinan,$d1967-$econtributor.
700 1 $aTlostanova, M. V.$q(Madina Vladimirovna),$econtributor.
700 12 $aKahraman, Hayv,$d1981-$tPaintings.$kSelections.
700 1 $aVarella, Kimberly,$ebook designer.
710 2 $aPomona College (Claremont, Calif.).$bMuseum of Art,$ehost institution,$epublisher.
752 $aUnited States$bCalifornia$dClaremont$2naf$4pbl
830 0 $aProject series (Pomona College (Claremont, Calif.). Museum of Art) ;$v52
852 00 $bfaxlc$hND967.K34$iA4 2018g
852 80 $brbx$kAIGA$h2019$i21