MARC Record from marc_columbia

LEADER: 03323cam a2200445 i 4500
001 13810162
005 20190329100517.0
008 180403s2019 nyua bq 001 0 eng c
010 $a 2018014766
024 $a40028840044
035 $a(OCoLC)on1032291716
040 $aLBSOR/DLC$beng$erda$cDLC$dOCLCO$dOCLCQ$dYDX$dOCLCA$dOCLCF$dBDX$dUKMGB$dYDX$dYUS
020 $a9780190867058$qpaperback ;$qalkaline paper
020 $a0190867051$qpaperback ;$qalkaline paper
020 $a9780190867041$qhardcover ;$qalkaline paper
020 $a0190867043$qhardcover ;$qalkaline paper
024 8 $a40028784170
035 $a(OCoLC)1032291716
042 $apcc
043 $as-bl---
050 00 $aPN1995.9.D6$bF868 2019
082 00 $a070.1/8$223
100 1 $aFurtado, Gustavo Procopio,$eauthor.
245 10 $aDocumentary filmmaking in contemporary Brazil :$bcinematic archives of the present /$cGustavo Procopio Furtado.
264 1 $aNew York, NY :$bOxford University Press,$c[2019]
300 $aviii, 265 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"Like Brazilian society, documentary filmmaking is undergoing transformation, becoming an increasingly inclusive and diverse field, intervening in the ongoing struggle for social justice and equal distribution of power. As the first English-language monograph to focus on this body of work, this book examines the ways in which contemporary documentaries explore the borders between centers and margins, visibilities and invisibilities, silences and speech, and forms of authority and their contestation. Centered on an eclectic cluster of documentaries -from ethnographic documentaries and indigenous videos to films concerned with social and criminal justice, including first-person, essayistic films - this book brings into view the transformations of both Brazilian society and filmmaking, ultimately examining the genre's preoccupation with archival content"--$cProvided by publisher.
504 $aIncludes bibliographical references, filmography, and index.
505 0 $aFeverish archives, feverish films: Ethnographic documentary and crisis at Amazonian Contact Zones -- Reparative mediations: Indigeneity, videomaking, and the future of the ethnographic archive -- Scenes of capture in the city: Documentary on the margins of social and archival visibilities -- Tactics of the invisible, shadow archives: Resistance and filmmaking on the outskirts of Brasilia -- Homes, archives, and archons: Reworking the "home mode" in the contemporary documentary -- The melancholy subject of history: Intimate films and the inheritance of postdictatorship memory.
650 0 $aDocumentary films$zBrazil$xHistory and criticism.
650 0 $aMotion pictures$xSocial aspects$zBrazil.
650 7 $aDocumentary films.$2fast$0(OCoLC)fst00896079
650 7 $aMotion pictures$xSocial aspects.$2fast$0(OCoLC)fst01027384
651 7 $aBrazil.$2fast$0(OCoLC)fst01206830
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aFurtado, Gustavo Procopio.$tDocumentary filmmaking in contemporary Brazil.$dNew York, NY : Oxford University Press, [2019]$z9780190867065$w(DLC) 2018019080
852 00 $bglx$hPN1995.9.D6$iF868 2019