Record ID | marc_columbia/Columbia-extract-20221130-028.mrc:157330455:5700 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-028.mrc:157330455:5700?format=raw |
LEADER: 05700cam a2200553Ii 4500
001 13807304
005 20190607163209.0
008 190218t20192019be acgh ba 000 0 eng d
035 $a(OCoLC)on1086344719
040 $aAUXAM$beng$erda$cAUXAM$dLGG$dFUG$dOSU$dERASA$dOHX$dYUS$dUAB$dRES$dPTS$dOCLCF$dLNT
019 $a1086343800
020 $a9782503582269$q(paperback)
020 $a2503582265$q(paperback)
029 1 $aCHVBK$b556469968
029 1 $aCHDSB$b007070121
035 $a(OCoLC)1086344719$z(OCoLC)1086343800
041 0 $aeng$afre$beng
050 4 $aML3921.2$b.M87 2019
082 4 $a780
049 $aZCUA
245 00 $aMusic and theology in the European reformations /$cedited by David J. Burn, Grantley McDonald, Joseph Verheyden, and Peter De Mey.
264 1 $aTurnhout, Belgium :$bBrepols,$c[2019]
264 4 $c©2019
300 $a500 pages :$billustrations, facsimiles, music, portraits ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCentre d'études supérieures de la Renaissance. Collection "Épitome musical"
546 $aContributions in English and French, abstracts in English.
504 $aIncludes bibliographical references.
505 0 $aMusic, theology, and the European Reformations / David J. Burn, Grantley McDonald -- Music, heretics, and reformers / Daniel Trocmé-Latter -- Sibyls and their oracles in Christian literature from Hermas to Lassus / Henk Jan de Jonge -- Sibylline prophecies and Christmas songs in music in sixteenth-century France : from theology to politics and controversy / Marie-Alexis Colin -- "Geistliche, liebliche lieder" : in search of aesthetic criteria for music in Luther's theology / Miikka Anttila -- In search of "Lutheran" music in post-Reformation Germany : aspects of transmission and repertoire / Thomas Schmidt -- Vos ad se pueri : exegesis, learning, and piety in Lutheran school songs 1521- c. 1650 / Mattias Lundberg -- "Das ist eine harte rede; wer kann sie hören?" : the Lutheran copies of Josquin's Missa Pange lingua / Alanna Ropchock Tierno -- Music in David Chytraeus's in Deuteronomium Mosis enarratio (1575) / Inga Mai Groote -- Leonhard Paminger's public image / David J. Burn, Grantley McDonald -- Printing, politics, and power : music publishing in early seventeenth-century bi-confessional Frankfurt / Elisabeth Giselbrecht -- Kirchen cron or Baalsfeldzeichen? : "the organ as a sign of confessional identity, 1560-1660 / Sarah Davies -- "Canti figurati che sogliono relassare il spirito et la vera osservanza" : music in Italian nunneries after the Council of Trent / Gioia Filocamo -- New sins for new sounds? : a casuistic view of French Renaissance music / Xavier Bisaro -- Janequin and theology / Frank Dobbins -- Continuity and change : the official Danish Lutheran gradual of Niels Jesperssøn (1573) / Nils Holger Petersen -- Singing, prayer, and sacrifice : the neo-Platonic revival of Musica humana in the Swiss Reformation / Hyun-Ah Kim -- The Strasbourg Psalter (1537/38) : a "missing link" for European hymnology? / Beat Föllmi -- Out of place? : the role of music in English seminaries during the late sixteenth and early seventeenth centuries / Andrew Cichy -- Blind spot or lasting trace? : (post-)Victorian perceptions of the Henrician Reformation / Peter Malisse.
520 8 $a" A multidisciplinary collection of twenty essays that examine the debates and controversies around music and theology during the period of the European Reformations from both Catholic and various Protestant perspectives. Throughout the history of the Church, music has regularly been placed under the critical microscope. Nonetheless, the intensity of thought concerning music's role in the liturgy and in spiritual life in general reached a peak during the period of the European Reformations. This multidisciplinary collection examines the debates and controversies around music and theology during that time from both Catholic and various Protestant perspectives. It includes twenty essays from musicologists, theologians, Biblical scholars, and Church historians that attempt to answer the following questions: What difference did the theological and ecclesiological developments of the sixteenth century make to musical forms and practices? What continuities of practice existed with former times? How was the desire to restore the church to an imagined pristine state manifest in music and liturgy? How did developments in exegesis arising from the massively increased knowledge and access to the Bible in Hebrew and Greek affect the way composers wrote and congregations heard? Why did some reformers embrace music, while others rejected it?" -- Back cover.
650 0 $aMusic$xReligious aspects$xChristianity.
650 0 $aMusic$y16th century$xHistory and criticism.
650 0 $aMusic$y17th century$xHistory and criticism.
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
650 7 $aMusic$xReligious aspects$xChristianity.$2fast$0(OCoLC)fst01030426
650 6 $aMusique$xAspect religieux$xChristianisme.
650 6 $aMusique$y16e siècle$xHistoire et critique.
650 6 $aMusique$y17e siècle$xHistoire et critique.
648 7 $a1500-1699$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aBurn, David J.,$eeditor.
700 1 $aMcDonald, Grantley,$d1974-$eeditor.
700 1 $aVerheyden, Joseph,$d1957-$eeditor.
700 1 $aMey, Peter de,$eeditor.
710 2 $aCentre d'études supérieures de la Renaissance,$eissuing body.
830 0 $aCollection "Epitome musical."
852 00 $bmus$hML3921.2$i.M87 2019g