| Record ID | marc_columbia/Columbia-extract-20221130-027.mrc:99779183:3684 |
| Source | marc_columbia |
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LEADER: 03684cam a2200505 i 4500
001 13257356
005 20210225145505.0
008 170320t20182018ctua b 001 0deng
010 $a 2017005510
024 $a99980400482
024 $a40028103167
035 $a(OCoLC)ocn978275874
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCQ$dOCLCF$dQGJ$dYDX$dOCLCO$dBDX$dGZM$dUKTTE$dEQO$dWLU$dUX0$dUEJ$dTFW$dVT2$dVA@$dVOD$dOCLCQ$dEYM$dUBY$dUKMGB$dFTB$dVKC
019 $a1028851925$a1028940980$a1029207703$a1029259185$a1029305023$a1030261499
020 $a9780300100723$q(hardcover)
020 $a0300100728$q(hardcover)
020 $z9780300233513
035 $a(OCoLC)978275874$z(OCoLC)1028851925$z(OCoLC)1028940980$z(OCoLC)1029207703$z(OCoLC)1029259185$z(OCoLC)1029305023$z(OCoLC)1030261499
042 $apcc
050 00 $aND1954.S24$bA67 2018
080 $a7 SALO POL
082 00 $a700.92$223
084 $aART016030$aART015100$aBIO001000$2bisacsh
100 1 $aPollock, Griselda,$eauthor.
245 10 $aCharlotte Salomon and the theatre of memory /$cGriselda Pollock.
264 4 $c©2018
264 1 $aNew Haven :$bYale University Press,$c[2018]
300 $a542 pages :$billustrations (chiefly color) ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 528-535) and index.
505 0 $aPreface: To the memory of the nameless -- Introduction: Finding a name -- 1: Who is Charlotte Salomon? -- 2: Beginning at the beginning -- 3: Beginning at the end -- 4: What's in a name? What's in a frame? -- 5: The monster -- 6: Decision -- 7: Maternal loss -- 8: Becoming an artist -- 9: Farewell and exile -- 10: The man in the eye -- 11: Nameless before the concentrationary void -- 12: Crime and confession -- Appendix: A personal history across Leben? oder theater? -- Notes -- List of illustrations -- Select bibliography -- Index
520 $a"Charlotte Salomon (1917-1943) is renowned for her monumental Life? or Theater?, which comprises 784 paintings the artist created in France between 1941 and 1942, before she was sent to Auschwitz where she was killed in 1943. In this in-depth monograph of the iconic work, Griselda Pollock offers a complex reading of Salomon's unique combination of image, text, and music. Without underestimating the tragic violence of her death in the Holocaust, Pollock seeks to reveal the artist's place within European modernism. In addition to discussing how Salomon's project resonates with the work of those who shared her situation of menaced exile, such as Walter Benjamin, Sigmund Freud, and Hannah Arendt, Pollock reveals how Life? or Theater? raises the issue of sexual abuse of women within the artist's family. Full of close visual analysis, this groundbreaking book offers new insight into Salomon's powerful work in its historical and cultural moment"--$cProvided by publisher.
600 10 $aSalomon, Charlotte,$d1917-1943.$tLeben oder Theater.
600 10 $aSalomon, Charlotte,$d1917-1943$xCriticism and interpretation.
600 17 $aSalomon, Charlotte,$d1917-1943.$2fast$0(OCoLC)fst00061018
630 07 $aLeben oder Theater? (Salomon, Charlotte)$2fast$0(OCoLC)fst01716258
650 7 $aART$xIndividual Artists$xMonographs.$2bisacsh
650 7 $aART$xHistory$xModern (late 19th Century to 1945)$2bisacsh
650 7 $aBIOGRAPHY & AUTOBIOGRAPHY$xArtists, Architects, Photographers.$2bisacsh
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635.
852 00 $bfaxlc$hND1954.S24$iA67 2018
852 00 $bbar$hND1954.S24$iA67 2018