MARC Record from marc_columbia

LEADER: 02213cam a2200397Ii 4500
001 13243534
005 20180618184648.0
008 180501t20172017enka bc 000 0deng d
020 $a1906967865$q(hardback)
020 $a9781906967864$q(hardback)
035 $a(OCoLC)on1003257078
035 $a(OCoLC)1003257078
035 $a(NNC)13243534
040 $aYDX$beng$erda$cYDX$dBDX$dERASA$dMZA$dCDX$dVRC
043 $an-us---
050 4 $aND237.C645$bA4 2017
050 4 $aN6537.C5945$bA4 2017
082 04 $a709.2$223
100 1 $aColen, Dan,$eartist.
240 10 $aWorks.$kSelections
245 10 $aDan Colen :$bsweet liberty.
246 14 $aSweet liberty
264 1 $a[London] :$bOther Criteria Books,$c[2017]
264 4 $c©2017
300 $a200 pages :$billustrations (chiefly color) ;$c32 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition of the same name at Newport Street Gallery, London 4.10.2017-21.1.2018.
504 $aIncludes bibliographical references.
520 $aSweet Liberty brings together 15 years of work by painter Dan Colen (born 1979), one of the 'bad boys' of the New York art world who emerged onto the scene in the early 2000s alongside artists like Dash Snow and Ryan McGinley. Witty, shocking, poignant and nihilistic, Colen's art presents a portrait of contemporary America and investigates the acts of producing and looking at art. Alongside significant early works such as 'Me, Jesus and the Children' (2001-03), this publication features paintings from Colen's long-running Gum and Trash series, as well as four installations in which Colen appropriates imagery from the mass media and American subcultures. This volume marks, in Colen's own words, 'the first time I've been able to present the full range of my work and the wide-ranging ideas, crafts, materials, technologies and processes that I engage with.
600 10 $aColen, Dan$vExhibitions.
650 0 $aInstallations (Art)$vExhibitions.
710 2 $aNewport Street Gallery,$ehost institution.
852 00 $bfaxlc$hN6537.C5945$iA4 2017g