MARC Record from marc_columbia

LEADER: 05562cam a2200649 i 4500
001 13232577
005 20210527090157.0
008 171215t20182018nyua b 001 0beng
010 $a 2017056400
024 $a99987215361
024 $a40028103171
024 8 $a40028106100
035 $a(OCoLC)ocn988280145
040 $aDLC$beng$erda$cDLC$dGK8$dOCLCF$dERASA$dFBP$dQQ3$dZHB$dHEV$dUAP$dFM0$dYDX$dOCLCO$dOSU$dOCLCA$dBUR$dYUS$dCNNGC$dZLM$dGYG$dUKMGB$dCUY$dTP7$dNJB$dAU@$dOCLCO$dVOD$dBP1$dTNX$dOCLCO$dNZAUC$dOCLCO$dLMJ$dBYV$dZQP$dOCL$dOCLCO
019 $a1034885890$a1100774286
020 $a9780393292787$q(hardcover)
020 $a0393292789$q(hardcover)
035 $a(OCoLC)988280145$z(OCoLC)1034885890$z(OCoLC)1100774286
042 $apcc
043 $an-us---
050 00 $aTR140.A25$bV36 2018
082 00 $a770.92$aB$223
084 $aBIO001000$aPHO011000$aBIO022000$aPHO010000$2bisacsh
100 1 $aVan Haaften, Julia,$eauthor.
245 10 $aBerenice Abbott :$ba life in photography /$cJulia Van Haaften.
250 $aFirst edition.
264 1 $aNew York, NY ;$aLondon :$bW.W. Norton & Company, Inc.,$c[2018]
264 4 $c©2018
300 $axix, 634 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
386 $mGender group:$ngdr$aWomen$2lcdgt
386 $mNationality/regional group:$nnat$aNew Yorkers (New York State)$2lcdgt
386 $mNationality/regional group:$nnat$aAmericans$2lcdgt
386 $mOccupational/field of activity group:$nocc$aMuseum curators$2lcdgt
504 $aIncludes bibliographical references (pages 493-607) and index.
505 0 $aBig lie all my life : Ohio (1898-1918) -- Center of everything : Greenwich Village (1918-21) -- Blazing chisels : Paris and Berlin (1921-23) -- Why not me? : Paris (1923-26) -- Sexless bird catcher : Paris (1926-29) -- Shock of recognition : Atget, Balzac of the camera : Paris (1925-28) -- No scruples : New York (1929-30) -- Realizing New York : New York City (1930-32) -- Realizing America : New York and Eastern seaboard (1933-34) -- Fantastic passion : New York (1934-36) -- Creative documentary : New York (1936-37) -- Friendly interpreter : New York, California, Chicago (1939-51) -- Photography community : New York (1937-58) -- House of photography : New York (1946-59) -- Photo league : New York (1932-55) -- It has to walk alone : Aspen and New York (1951-54) -- Little old America : Florida and Maine (1954-58) -- PSSC : Cambridge and Maine (1958-60) -- Elizabeth : New York and Maine (1945-65) -- Sell Atget! : New York and Maine (1956-68) -- Hotcakes : New York and Maine (1962-75) -- Barrelhouse girl : New York and Maine (1975-83) -- Epilogue : Maine (1984-92).
520 $a"Berenice Abbott is to American photography as Georgia O'Keeffe is to painting or Willa Cather to letters. She was a photographer of astounding innovation and artistry, a pioneer in both her personal and professional life. Abbott's sixty-year career established her not only as a master of American photography, but also as a teacher, writer, archivist, and inventor. Famously reticent in public, Abbott's fascinating life has long remained a mystery--until now. In Berenice Abbott: A Life in Photography, author, archivist, and curator Julia Van Haaften brings this iconic public figure to life alongside outlandish, familiar characters from artist Man Ray to cybernetics founder Norbert Wiener. A teenage rebel from Ohio, Abbott escaped first to Greenwich Village and then to Paris--photographing, in Sylvia Beach's words, "everyone who was anyone." As the Roaring Twenties ended, Abbott returned to New York, where she soon fell in love with art critic Elizabeth McCausland, with whom she would spend thirty years. In the 1930s, Abbott began her best-known work, Changing New York, in which she fearlessly documented the city's metamorphosis. When warned by an older male supervisor that "nice girls" avoid the Bowery--then Manhattan's skid row--Abbott shot back, "I'm not a nice girl. I'm a photographer...I go anywhere." This bold, feminist attitude would characterize all Abbott's accomplishments, including imaging techniques she invented in her influential, space race-era science photography and her tenure as The New School's first photography teacher. With more than ninety stunning photos, this sweeping, cinematic biography secures Berenice Abbott's place in the histories of photography and modern art, while framing her incredible accomplishments as a female artist and entrepreneur." -- Publisher's description
600 10 $aAbbott, Berenice,$d1898-1991.
600 17 $aAbbott, Berenice,$d1898-1991.$2fast$0(OCoLC)fst00036499
650 0 $aPhotographers$zUnited States$vBiography.
650 0 $aPhotography, Artistic.
650 7 $aBIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers.$2bisacsh
650 7 $aBIOGRAPHY & AUTOBIOGRAPHY / Women.$2bisacsh
650 7 $aBIOGRAPHY & AUTOBIOGRAPHY / LGBT.$2bisacsh
650 7 $aPhotographers.$2fast$0(OCoLC)fst01061605
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 6 $aPhotographes$zÉtats-Unis$vBiographies.
650 6 $aPhotographie artistique.
655 4 $aNonfiction.
655 7 $aBiographies.$2lcgft
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
852 00 $bfaxlc$hTR140.A23$iV36 2018g
852 0 $bbar$hTR140.A25$iV36 2018