MARC Record from marc_columbia

LEADER: 04276cam a22006858i 4500
001 13221310
005 20211021155224.0
008 170809s2018 nyua bc 000 0 eng c
010 $a 2017037832
019 $a1006471788
020 $a9780872731844$q(pbk.)
020 $a0872731847$q(pbk.)
024 $a99980852732
035 $a(OCoLC)on1002302844
035 $a(OCoLC)1002302844$z(OCoLC)1006471788
035 $a(NNC)13221310
040 $aNNFr/DLC$beng$erda$cDLC$dOCLCF$dOCLCO$dOCLCQ$dYDX$dNMWMA$dOCLCA$dMUU
042 $apcc
043 $an-us---
050 00 $aHQ1421$b.W4 2018
082 00 $a305.48/896073$223
245 00 $aWe wanted a revolution :$bBlack radical women, 1965-85, new perspectives /$cedited by Catherine Morris and Rujeko Hockley ; contributions by Aruna D'Souza [and 6 others].
246 30 $aBlack radical women, 1965-85
263 $a1812
264 1 $aBrooklyn, NY :$bBrooklyn Museum,$c2018.
300 $a152 pages :$billustrations (some color) ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of an exhibition held at Brooklyn Museum, April 21-September 17, 2017; California African American Museum, Los Angeles, October 13, 2017-January 14, 2018; Albright-Knox Art Gallery, Buffalo, February 17-May 27, 2018; and the Institute of Contemporary Art/Boston, June 26-September 30, 2018.
504 $aIncludes bibliographical references (pages 143-151).
505 0 $aForeword / Anne Pasternak -- Acknowledgements -- Introduction / Catherine Morris and Rujeko Hockley -- We wanted a revolution: black radical women, 1965-85: the installation -- Swimming with E.C. / Kellie Jones -- Early intersections: the work of third world feminism / Aruna d'Souza -- Sand, nylon and dirt: Senga Nengudi and Maren Hassinger in Southern California / Uri McMillan -- When the rent was cheap and the art was everything: remembering Rodeo Caldonia / Lisa Jones.
520 $aIllustrated volume to accompany an exhibition at the Brooklyn Museum opening April 2017, including an introduction by the exhibition co-curators; three scholarly critical essays; remarks from a symposium held in conjunction with the exhibition on April 21, 2017, consisting of personal reminiscences of the theater group Rodeo Caldonia; exhibition installation photographs with texts of the section introductions; an exhibition checklist; and a bibliography. An epigraph of two poems by Alice Walker will appear after the half-title page.
650 0 $aAfrican American feminists$xHistory$y20th century$vExhibitions.
650 0 $aAfrican American women authors$xHistory$y20th century$vExhibitions.
650 0 $aAfrican American radicals$y20th century$vExhibitions.
650 0 $aAfrican American women$xPolitical activity$y20th century$vExhibitions.
650 0 $aFeminist literature$zUnited States$xHistory$y20th century$vExhibitions.
650 0 $aFeminism and the arts$zUnited States$xHistory$y20th century$vExhibitions.
650 7 $aAfrican American feminists.$2fast$0(OCoLC)fst01201928
650 7 $aAfrican American radicals.$2fast$0(OCoLC)fst00799333
650 7 $aAfrican American women authors.$2fast$0(OCoLC)fst00799477
650 7 $aAfrican American women$xPolitical activity.$2fast$0(OCoLC)fst00799461
650 7 $aFeminism and the arts.$2fast$0(OCoLC)fst00922747
650 7 $aFeminist literature.$2fast$0(OCoLC)fst00922784
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aMorris, Catherine,$eeditor.
700 1 $aHockley, Rujeko,$eeditor.
700 1 $aD'Souza, Aruna,$ewriter of supplementary textual content.
710 2 $aBrooklyn Museum,$eissuing body,$ehost institution.
710 2 $aCalifornia African-American Museum,$ehost institution.
710 2 $aAlbright-Knox Art Gallery,$ehost institution.
710 2 $aInstitute of Contemporary Art (Boston, Mass.),$ehost institution.
852 00 $bglx$hHQ1421$i.W4 2018
852 00 $bbar$hHQ1421$i.W4 2018
852 00 $boff,fax$hHQ1421$i.W4 2018