MARC Record from marc_columbia

LEADER: 03219cam a2200541Ii 4500
001 13073686
005 20180416145133.0
008 170317t20172017ne ac b 001 0deng d
019 $a972385519$a972416414$a972566737$a972800939$a972972099$a973081899$a973299701$a978572154$a978877322$a1012943431
020 $a9789492095251
020 $a9492095254
024 3 $a9789492095251
029 1 $aAU@$b000060964600
035 $a(OCoLC)977355721
035 $a(POOF2)12115
035 $a(NNC)13073686
040 $aERASA$beng$erda$cERASA$dOCLCO$dYDX$dBTCTA$dBDX$dQGK$dJPG$dOCLCF$dKKU$dOCL$dOHX
050 4 $aN8351$b.K57 2017
072 7 $aN$2lcco
082 04 $a111.85
100 1 $aKisters, Sandra,$eauthor.
245 14 $aThe lure of the biographical :$bon the (self-)representation of modern artists /$cSandra Kisters.
246 3 $aOn the self-representation of modern artists
246 30 $aOn the (self-)representation of modern artists
264 4 $c©2017
264 1 $aAmsterdam :$bValiz,$c[2017]
300 $a445 pages :$billustrations, portraits ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aVis-à-vis
504 $aIncludes bibliographical references and index.
520 $a"The lure of the biographical zooms in on the supposed relationship between the art and the personal image of artists. The book explores how visual artists use their personal history and image to make a name for themselves, and how they try to control how their artistic output is interpreted. At the same time, it investigates how other parties such as art critics, biographers, photographers, filmmakers, art historians and art dealers link artists' lives to their work. The framework for studying the (self-)representation of artists focuses on the textual and visual means used by artists as well as others. Through three detailed case studies of the image and work of French sculptor Auguste Rodin, American painter Georgia O'Keeffe, and British painter Francis Bacon, the book demonstrates what mechanisms and strategies are at play in creating the artist's image, from the nineteenth to the late-twentieth century, and, in addition, proposes a model for future research into questions of (self-)representation"--Back cover.
600 17 $aBacon, Francis,$d1909-1992.$2fast$0(OCoLC)fst00046628
600 10 $aBacon, Francis,$d1909-1992$xCriticism and interpretation.
600 17 $aO'Keeffe, Georgia,$d1887-1986.$2fast$0(OCoLC)fst00047825
600 17 $aRodin, Auguste,$d1840-1917.$2fast$0(OCoLC)fst00040794
600 10 $aO'Keeffe, Georgia,$d1887-1986$xCriticism and interpretation.
600 10 $aRodin, Auguste,$d1840-1917$xCriticism and interpretation.
650 0 $aSelf-presentation in art.
650 0 $aBiography in art.
650 7 $aBiography in art.$2fast$0(OCoLC)fst01902541
650 7 $aSelf-presentation in art.$2fast$0(OCoLC)fst01111878
650 7 $aArtists$xPsychology.$2fast$0(OCoLC)fst00817612
650 0 $aArtists$xPsychology.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
830 0 $aVis-à-vis (Amsterdam, Netherlands)
852 00 $bfaxlc$hN8351$i.K57 2017g