| Record ID | marc_columbia/Columbia-extract-20221130-027.mrc:39656391:1741 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-027.mrc:39656391:1741?format=raw |
LEADER: 01741cam a2200421 i 4500
001 13066014
005 20180416144933.0
008 180102s2017 fr adg b 101 0 fre d
020 $a9782752102980 (pbk.) :$c32,00 EUR
035 $a(OCoLC)1015956765
035 $a(OCoLC)on1015956765
035 $a(Fr-PaAMA)AAL0768777-0001
035 $a(NNC)13066014
040 $aFr-PaAMA$erda
041 0 $afre$aeng$bfre$beng
050 4 $aML1380$b.A54 2017
245 00 $aAnalyser la musique mixte /$csous la direction d'Alain Bonardi, Bruno Bossis, Pierre Couprie, Vincent Tiffon.
264 1 $aSampzon :$bÉditions Delatour France,$c[2017]
264 4 $ccopyright 2017
300 $a320 pages :$billustrations, charts, music ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aCollection Pensée musicale
500 $aContains articles from a symposium held at the IRCAM, Paris, France, April 5-6, 2012.
500 $aIRCAM stands for: Institut de recherche et de coordination acoustique/musique.
504 $aIncludes bibliographical references and index.
546 $aContributions in French or English, abstracts in French or English.
650 0 $aComputer music$xAnalysis, appreciation$vCongresses.
650 0 $aComputer music$xHistory and criticism$vCongresses.
650 0 $aElectronic music$xHistory and criticism$vCongresses.
700 1 $aBonardi, Alain,$eeditor.
700 1 $aBossis, Bruno,$eeditor.
700 1 $aCouprie, Pierre,$eeditor.
700 1 $aTiffon, Vincent,$eeditor.
710 2 $aIRCAM (Research institute : France),$ehost institution.
830 0 $aCollection Pensée musicale.
852 00 $bmus$hML1380$i.A54 2017g