MARC Record from marc_columbia

LEADER: 05312cam a2200457 i 4500
001 13003667
005 20190313172517.0
008 170304s2017 lau b 001 0 eng
010 $a 2017005932
024 $a99979482725
024 $a40027665384
035 $a(OCoLC)ocn974698560
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019 $a974683509$a974767069$a974960609$a975027802$a975083394$a975379001
020 $a9780807167144$qhardcover$qalkaline paper
020 $a0807167142$qhardcover$qalkaline paper
020 $z9780807167151$qelectronic book
020 $z9780807167168$qelectronic publication
020 $z9780807167175$qmobi
035 $a(OCoLC)974698560$z(OCoLC)974683509$z(OCoLC)974767069$z(OCoLC)974960609$z(OCoLC)975027802$z(OCoLC)975083394$z(OCoLC)975379001
042 $apcc
043 $an-usu--
050 00 $aPN1992.8.S58$bS63 2017
082 00 $a791.45/6275$223
245 00 $aSmall-screen Souths :$bregion, identity, and the cultural politics of television /$cedited by Lisa Hinrichsen, Gina Caison, and Stephanie Rountree.
264 1 $aBaton Rouge :$bLouisiana State University Press,$c[2017]
300 $aviii, 334 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aSouthern literary studies
504 $aIncludes bibliographical references and index.
505 00 $gIntroduction:$tThe Televisual South /$rLisa Hinrichsen, Gina Caison, and Stephanie Rountree --$gI. Politics and Indentity in the Televisual South.$tMidcentury Transition: Lost Boundaries, Passing, and Early Television /$rRobert Jackson --$tDesigning Women and Its Postsouthern, Postfeminist Legacy /$rMonica Carol Miller --$tBirmingham Welcomes Ellen: Coming Out and Performing Audience /$rBonnie Applebeet Cameron --$t"I'm Gone with the Wind Fabulous": The Real Housewives of Atlanta and the New South /$rCasey Kayser and Ashli Dykes --$tGod Hates Fangs: True Blood, Black Queer Agency, and Appropriations of the History of Racial and Sexual Violence in the Deep South /$rJoanna Davis-McElligatt --$gII. Caricatures, Commodities, and Catharsis in the Rural South.$tAnxious Engagements: Horton Foote and the South in Early Television /$rRobert W. Haynes --$tRural Comedy and the "Foreign" South /$rSara K. Eskridge --$t"Redneck Feng-Shui": Duck Dynasty, Paula Deen, and the Other Louisiana /$rMary Ann Wilson --$tWhite for the Harvest: Hicksploitation TV and the Colonial Model of Appalachian Exploitation /$rJimmy Dean Smith --$tBig Smo: Reality TV, Hick-Hop, and Southern Stereotypes /$rLeigh H. Edwards --$gIII. (Dis)Locating the South.$t"Welcome to the Fabled South": John Kneubuhl's global Southern Gothic, 1959-1966 /$rStanley Orr --$tThe Truth Is South There: The X-Files' Transregional Souths /$rEric Gary Anderson --$tMiami in Miami Vice: Regional Ambiguity and Permeable Borders in the U.S. South /$rTatiana McInnis --$tThe Walking Dead's Postsouthern Crypts /$rMatthew Dischinger --$tFootball, the South, and the Spatiality of Television /$rTaylor Hagood --$tSolid South, Fluid Souths: The Wire, Treme, and David Simon's Urbanism /$rJennie Lightweis-Goff.
520 $a"As the first collection dedicated to the relationship between television and the U.S. South, Small-Screen Souths addresses the growing interest in how mass culture represents the region and influences popular perceptions of it. In sixteen essays divided into three thematic sections, scholars of southern culture analyze representations of the South in a variety of television shows spanning the history of the medium, from classic network programs such as The Andy Griffith Show and Designing Women to some of today's popular franchises like Duck Dynasty and The Walking Dead. The first section, 'Politics and Identity in the Televisual South,' focuses on how television constructs understandings of race, gender, sexuality, and class, often adapting to changing configurations of community and identity. The next section, 'Caricatures, Commodities, and Catharsis in the Rural South,' examines the tension between depictions of southern rural communities and assumptions about abject whiteness, particularly conceptions of poverty and profitized culture. The concluding section, '(Dis)Locating the South,' considers the influence of postcolonialism, globalization, and cosmopolitanism in understanding television featuring the region. Throughout, the essays investigate the profuse, often contradictory ways that the U.S. South has been represented on television, seeking to expand and pluralize myopic perspectives of the region. By analyzing depictions of the South from the classical network era to the contemporary post-broadcast age, Small-Screen Souths offers a broad historical scope and a multiplicity of theoretical and interdisciplinary perspectives on what it means to see the South from the television screen." --$cFrom publisher's description.
651 0 $aSouthern States$xOn televison.
700 1 $aHinrichsen, Lisa,$d1978-$eeditor.
700 1 $aCaison, Gina,$d1980-$eeditor.
700 1 $aRountree, Stephanie,$d1983-$eeditor.
830 0 $aSouthern literary studies.
852 00 $bglx$hPN1992.8.S58$iS63 2017
852 00 $bbar$hPN1992.8.S58$iS63 2017