MARC Record from marc_columbia

LEADER: 03626cam a2200589Ii 4500
001 13041598
005 20180319132102.0
008 180112s2016 au a 000 0 ger d
019 $a976087586$a976241467$a978479863$a978750393$a979229883$a979388686$a979503273$a979739073
020 $a9783902993373
020 $a3902993375
035 $a(OCoLC)ocn967836680
035 $a(OCoLC)967836680$z(OCoLC)976087586$z(OCoLC)976241467$z(OCoLC)978479863$z(OCoLC)978750393$z(OCoLC)979229883$z(OCoLC)979388686$z(OCoLC)979503273$z(OCoLC)979739073
035 $a(NNC)13041598
040 $aERASA$beng$erda$cERASA$dOCLCO$dYDX$dDKC$dOCLCF$dVGM$dOHX$dJPG
041 1 $ager$aeng$hger
043 $ae-au---
050 4 $aTR504$b.F57 2017
082 04 $a791
100 1 $aFischer-Briand, Roland,$d1975-$eauthor.
245 10 $aFarbiges Leuchten :$btransparente Filmstandfotos der 1920er- und 1930er-Jahre = Colorful lucency : transparent stills of the 1920s and 1930s /$cRoland Fischer-Briand ; translated from the German by Wolfgang Astelbauer.
246 31 $aColorful lucency :$btransparent stills of the 1920s and 1930s
250 $a1. Auflage.
264 1 $aWien :$bPhotoinstitut Bonartes ;$bAlbertina ;$aSalzburg :$bFotohof edition,$c2016.
300 $a116 pages :$billustrations (some color) ;$c22 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBeiträge zur Geschichte der Fotografie in Österreich ;$vBand 14 =$aContributions to a history of photography in Austria ;$vvolume 14
490 1 $aFotohof edition ;$vBand 237
500 $aPublished on the occasion of the exhibition at the Photoinstitut Bonartes in Vienna, 27 October 2016 - 24 February 2017.
546 $aText in German with English translation on facing pages.
520 8 $aIn the 1920s and 1930s, film and cinema enjoyed a greater popularity than at any other point of time in recent cultural history. In order to guarantee their visibility beyond the sphere of projection, the help of their elder brother photography as a genuinely related medium was called for. This book is the first to explore a rare medium of film photography indebted to its day and, like film, relying on celluloid: brightly hand-colored stills owing their lucency to backlight illumination. Taken on the set, these mostly anonymous pictures were aimed at arousing the public's visual curiosity in the lobbies of Vienna's movie palaces and at encouraging them to purchase a ticket.
650 0 $aTransparencies$vExhibitions.
650 0 $aStills (Motion pictures)$zAustria$vExhibitions.
650 0 $aMotion pictures, Austrian$xHistory$vExhibitions.
650 0 $aMotion pictures$zAustria$xHistory$vExhibitions.
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures, Austrian.$2fast$0(OCoLC)fst01894650
650 7 $aStills (Motion pictures)$2fast$0(OCoLC)fst01133438
650 7 $aTransparencies.$2fast$0(OCoLC)fst01154894
651 7 $aAustria.$2fast$0(OCoLC)fst01204901
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 12 $aFischer-Briand, Roland,$d1975-$tFarbiges Leuchten.
700 12 $aFischer-Briand, Roland,$d1975-$tFarbiges Leuchten.$lEnglish.
700 1 $aAstelbauer, Wolfgang,$etranslator.
710 2 $aPhotoinstitut Bonartes,$ehost institution.
830 0 $aBeiträge zur Geschichte der Fotografie in Österreich ;$vBd. 14.
830 0 $aFotohof Edition ;$vBd. 237.
852 00 $bfaxlc$hTR504$i.F57 2017g