MARC Record from marc_columbia

LEADER: 02930pam a2200457 i 4500
001 13002301
005 20180124132148.0
008 161123t20172017ilua b 001 0 eng c
010 $a 2016054302
020 $a9780226409979$qhardcover$qalkaline paper
020 $a022640997X$qhardcover$qalkaline paper
020 $z9780226410036$qelectronic book
024 $a40027690284
035 $a(OCoLC)ocn958780610
035 $a(OCoLC)958780610
035 $a(NNC)13002301
040 $aICU/DLC$beng$erda$cCGU$dDLC$dYDX$dOCLCF$dERASA$dOCLCO$dNhCcYBP$dNNC
042 $apcc
043 $ae-gx---
050 00 $aNB588.G454$bL44 2017
082 00 $a730.943/0904$223
100 1 $aLee, Lisa,$d1978-$eauthor.
245 10 $aIsa Genzken :$bsculpture as world receiver /$cLisa Lee.
264 1 $aChicago :$bThe University of Chicago Press,$c2017.
264 4 $c©2017
300 $axi, 164 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Geometries of lived perspective -- Make life beautiful! -- Plastic allegories -- Radical exposure.
520 8 $aThe work of German sculptor Isa Genzken is brilliantly receptive to the ever-shifting conditions of modern life. In this first book devoted to the artist, Lisa Lee reflects on Genzken's tendency to think across media, attending to sculptures, photographs, drawings, and films from the entire span of her four-decade career, from student projects in the mid-1970s to recent works seen in Genzken's studio. Through penetrating analyses of individual works as well as archival and interview material from the artist herself, Lee establishes four major themes in Genzken's oeuvre: embodied perception, architecture and built space, the commodity, and the body. Contextualizing the sculptor's engagement with fellow artists, such as Joseph Beuys and Bruce Nauman, Lee situates Genzken within a critical and historical framework that begins in politically fraught 1960s West Germany and extends to the globalized present. Here we see how Genzken tests the relevance of the utopian aspirations and formal innovations of the early twentieth century by submitting them to homage and travesty. Sure to set the standard for future studies of Genzken's work, Isa Genzken is essential for anyone interested in contemporary art.
600 10 $aGenzken, Isa,$d1948-$xCriticism and interpretation.
650 0 $aSculpture, German$y20th century.
650 0 $aSculpture$zGermany$y21st century.
600 17 $aGenzken, Isa,$d1948-$2fast$0(OCoLC)fst00263690
650 7 $aSculpture.$2fast$0(OCoLC)fst01109483
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
648 7 $a1900-2099$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
852 00 $boff,fax$hNB588.G454$iL44 2017