MARC Record from marc_columbia

LEADER: 05255cam a2200577Ii 4500
001 13408060
005 20181022142529.0
008 180712t20182018be ag b 001 0deng d
019 $a1041607922
020 $a9782503580340$q(hardback)
020 $a2503580343$q(hardback)
024 3 $a9782503580340
029 1 $aCHDSB$b006798675
029 1 $aCHVBK$b50805317X
029 1 $aCHDSB$b006777458
035 $a(OCoLC)on1023372075
035 $a(OCoLC)1023372075$z(OCoLC)1041607922
035 $a(NNC)13408060
040 $aERASA$beng$erda$cERASA$dYDX$dCHVBK$dOCLCO$dGRU$dCOO$dINU$dUAB$dOHX$dOCLCF$dTDF$dAUXAM
043 $an-us---
050 4 $aML410.W71335$bJ625 2018
050 4 $aPN1990-1997
072 7 $aML$2lcco
082 04 $a791
245 00 $aJohn Williams :$bmusic for films, television, and the concert stage /$cedited by Emilio Audissino.
264 1 $aTurnhout :$bBrepols,$cMMXVIII.
264 4 $c©2018
300 $axxiv, 440 pages :$billustrations, music ;$c27 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
336 $anotated music$bntm$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aContemporary composers ;$vvolume 1
504 $aIncludes bibliographical references and index.
520 8 $aThis volume is a large exploration of the many sides of Williams's output. Once mostly considered a commercial composer and a mere rewriter of previous composers? styles, only recently Williams? music has begun to be taken seriously, and scholars from the music and the film departments have begun to produce research. The present volume seeks to build upon, complement and review what has been written so far on Williams. It is a large exploration of the many sides of Williams's output, aimed at showing the range of his production (not merely focussing on film music) and at analysing the depth of his dramaturgic and compositional skills with selected case studies. To accomplish this exploration, a large team of international scholars has been assembled from all around the world. The contributors come from film, media and music departments ? to provide a variety of disciplinary perspectives on Williams's work.
505 00 $gIntroduction : John Williams, composer /$rEmilio Audissino --$tJohn Williams and the musical landscapes : film, television, jazz, and concert halls.$tA new symphonism for a new Hollywood : the musical language of John Williams's film scores /$rMervyn Cooke ;$tJohn Williams : television composer /$rPaula Musegades ;$t"Catch as catch can" : jazz, John Williams, & popular music allusion /$rRyan Patrick Jones ;$tNo sharks, no stars, just idiomatic scoring and sounding engagement : John Williams as a 'classical' composer /$rEmile Wennekes ;$tJohn Williams's film music in the concert halls /$rSebastian Stoppe --$tThe Williams touch : style and musical dramaturgy.$tThe use of variation in John Williams's film music themes /$rMark Richards ;$tThe themes of Star wars : catalogue and commentary /$rFrank Lehman ;$tStar scores : orchestration and the sound of John Williams's film music /$rIan Sapiro ;$tOrchestration transformation : examining differences in the instrumental and thematic colour palettes of the Star wars trilogies /$rNicholas Kmet ;$tThe villain's march topic in John Williams's film music /$rJoakim Tillman ;$tMusical dramaturgy and stylistic changes in John Williams's Harry Potter trilogy /$rJamie Lynn Wesbter --$tCase studies.$tSounding an Irish childhood : John Williams's score for Angela's ashes /$rLaura Anderson ;$tJohn Williams and sound design : shaping the audiovisual world of E. T.: the extra-terrestrial /$rChloé Huvet ;$tToday I'm hearing with new ears : John Williams's use of audiovisual incongruence to convey character perspective in Munich and Spielberg's historical films /$rDavid Ireland ;$tJohn Williams and the musical avant-garde : the score for War of the worlds /$rIrena Paulus ;$tOut of darkness : John Williams's Violin concerto /$rTom Schneller ;$tHappily never after : Williams's muisical exploration of the 'controversial' ending to A. I.: Artificial intelligence /$rStefan Swanson --$tThe performer's viewpoint.$tJohn Williams seen from the podium : an interview with maestro Keith Lockhart /$rEmilio Audissino, Frank Lehman ;$tJohn Williams seen from the piano : an interview with maestro Simone Pedroni /$rMaurizio Caschetto ;$gAbstracts and biographies ;$gIndex of names.
600 10 $aWilliams, John,$d1932-$xCriticism and interpretation.
600 17 $aWilliams, John$d1932-$2gnd$0(DE-588)129198536
600 17 $aWilliams, John,$d1932-$2fast$0(OCoLC)fst00063641
650 0 $aComposers$zUnited States.
650 0 $aComposers$zUnited States$y21st century.
650 0 $aMotion picture music$xHistory and criticism.
650 7 $aComposers.$2fast$0(OCoLC)fst00871620
650 7 $aMotion picture music.$2fast$0(OCoLC)fst01027201
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-2099$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aAudissino, Emilio,$eeditor.
830 0 $aContemporary composers ;$vv. 1.
852 00 $bmus$hML410.W71335$iJ625 2018g