Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:86143995:3288 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:86143995:3288?format=raw |
LEADER: 03288cam a2200553Ii 4500
001 12852601
005 20171016135145.0
008 170918s2016 enka bc 001 0 eng d
019 $a961862363
020 $a9781849764339
020 $a1849764336
035 $a(OCoLC)ocn929592646
035 $a(OCoLC)929592646$z(OCoLC)961862363
035 $a(NNC)12852601
040 $aERASA$beng$erda$cERASA$dYDXCP$dOCLCQ$dBTCTA$dTOH$dBDX$dEYM$dOCLCO$dOCLCF$dCAM
050 4 $aNK3700-4695
082 04 $a738
245 00 $aThat continuous thing :$bartists and the ceramics studio, 1920-today /$cedited by Sara Matson and Sam Thorne ; with contributions from Glenn Adamson, Aaron Angell, Alison Britton, Tanya Harrod, Bernard Leach, Sara Matson, Julian Stair, Sam Thorne, Edmund de Waal, Jesse Wine, Sōetsu Yanagi.
264 1 $aLondon :$bTate St Ives in association with Tate Publishing,$c2016.
300 $a156 pages :$billustrations (some color) ;$c21 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished to support the development of the exhibition "That Continuous Thing: Artists & the Ceramics Studio, 1920-Today" at Tate St Ives, March 31-September 3, 2017.
504 $aIncludes bibliographical references (pages 145-148) and index.
520 8 $aFrom the rise of studio pottery in the 1910s to a number of new commissions by a young generation of UK-based artists, That Continuous Thing traces the changing shape of the ceramics studio over the last century, from the radical to the apparently traditional. Opening with exchange between Japan and the UK in 1910s and 1920s through the emergence of studio potters such as Bernard Leach, Shoji Hamada and Dora Billington, the book leads on to the Californian "clay revolution" of the 1950s and 1960s, with sculptures by the pioneering artist Voulkos. The book also includes works by contemporary artists made over the last three years at Angell's London-based Troy Town Art Pottery, which has been described as "a radical and psychedelic workshop for artists."
650 0 $aPottery$y21st century$vExhibitions.
650 0 $aArt pottery$y21st century$vExhibitions.
650 0 $aCeramic sculpture$y21st century$vExhibitions.
650 0 $aCeramics$y21st century$vExhibitions.
650 7 $aArt pottery.$2fast$0(OCoLC)fst00815769
650 7 $aCeramics.$2fast$0(OCoLC)fst00851090
648 7 $a2000-2099$2fast
700 1 $aMatson, Sara,$eeditor,$econtributor.
700 1 $aThorne, Sam,$eeditor,$econtributor,$einterviewer.
700 1 $aAdamson, Glenn,$econtributor.
700 1 $aAngell, Aaron,$econtributor.
700 1 $aBritton, Alison,$econtributor.
700 1 $aHarrod, Tanya,$econtributor.
700 1 $aLeach, Bernard,$d1887-1979,$econtributor.
700 1 $aStair, Julian,$econtributor.
700 1 $aDe Waal, Edmund,$econtributor.
700 1 $aWine, Jesse,$d1983-$einterviewee.
700 1 $6880-01$aYanagi, Muneyoshi,$d1889-1961,$econtributor.
710 2 $aTate Gallery St Ives.
740 0 $aThat continuous thing, artists & the ceramics studio, 1920-today.
880 1 $6700-01$a柳宗悦,$d1889-1961$econtributor.
852 00 $boff,ave$hNK3940$i.T43 2016g