MARC Record from marc_columbia

LEADER: 03407cam a2200529Ii 4500
001 12840711
005 20180917134930.0
008 161220t20152015is a bc 000 0 eng d
020 $a9789655391213
020 $a9655391213
029 1 $aZWZ$b200305735
035 $a(OCoLC)966453260
035 $a(POOF2)8328
035 $a(NNC)12840711
040 $aJPG$beng$erda$cJPG$dZWZ
041 1 $aeng$aheb$hheb
050 4 $aN6537.Q39$bA4x 2015
066 $c(2
245 00 $aR.H. Quaytman :$bchapter 29 /$ctexts, Mark Godfrey, Annie Bourneuf, R.H. Quaytman.
246 30 $6880-01$a:$bChapter 29 : ḥaḳaḳ
246 15 $6880-02$aR.H. Ḳṿaiṭman :$bpereḳ 29, ḥaḳaḳ
264 4 $c©2015
264 1 $aTel Aviv :$bTel Aviv Museum of Art,$c[2015]
300 $a131 pages :$bcolor illustrations ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of an exhibition held at Tel Aviv Museum of Art, Marcus B. Mizne Gallery, May 20-September 5, 2015.
504 $aIncludes bibliographical references.
520 8 $aThe book takes as its starting point the artist’s solo exhibition of the same title at the Tel Aviv Museum, and evolves into a chronicle of Quaytman’s obsessive investigation of an undetected and elusive image that she discovered behind the Angelus Novus, Paul Klee’s famous 1920 monoprint. Quaytman’s research, and eventual momentous identification of the image,are traced through a personal essay by the artist herself, along with extensive analytical commentaries by Tate curator Mark Godfrey, and Paul Klee scholar Annie Bourneuf, accompanied by full-page color photographic reproductions across two iterations of Chapter 29, from the original Tel Aviv Museum and later Miguel Abreu Gallery Orchard Street exhibitions. Chapter 29, with the tools of the artist rather than the historian, interwoven with images of Israel's desert landscape and Hebrew typography, Quaytman traces a labyrinthine path through museum archives, personal libraries, correspondences between Gershom Sholem and Walter Benjamin (the Angelus’ best-known owner), vast online image banks of engravings, and reaches a conclusion that is perhaps more puzzling and complex than the mystery she set out to solve.
546 $aEnglish and Hebrew, with Hebrew text on inverted pages.
600 17 $aQuaytman, R. H.$xCatalogues d'exposition.$2ram
600 10 $aQuaytman, R. H.$q(Rebecca H.)$vExhibitions.
700 1 $6880-05$aBourneuf, Annie,$ewriter of added commentary.
700 1 $6880-04$aGodfrey, Mark,$ewriter of added commentary.
700 12 $6880-03$aQuaytman, R. H.$q(Rebecca H.).$tWorks.$kSelections.
710 2 $6880-06$aMuzeʼon Tel Aviv le-omanut,$ehost institution.
730 02 $aR.H. Quaytman.
730 02 $aR.H. Quaytman.$lHebrew.
880 12 $6700-03/(2/r$aקוויטמן, ר"ה.$tWorks.$kSelections.
880 30 $6246-01/(2/r$aChapter 29 :$bחקק
880 1 $6700-05/(2/r$aבורנף, אנני,$ewriter of added commentary.
880 2 $6710-06/(2/r$aמוזיאון תל אביב לאמנות,$ehost institution.
880 1 $6700-04/(2/r$aגודפרי, מארק,$ewriter of added commentary.
880 15 $6246-02/(2/r$aר"ה קוויטמן :$bפרק 29, חקק
852 00 $boff,fax$hN6537.Q39$iA4 2015g