| Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:28761294:1267 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:28761294:1267?format=raw |
LEADER: 01267cam a2200349 i 4500
001 12581904
005 20170827153036.0
008 170505s2017 it b 001 0 ita d
020 $a9788899737382 :$c18.99 EUR
035 $a(OCoLC)989906228
035 $a(OCoLC)ocn989906228
035 $a(NNC)12581904
040 $aItFiC$beng$erda$cItFiC
043 $ae-it---
050 00 $aPN2684.2$b.P67 2017
100 1 $aPorcheddu, Andrea,$eauthor.
245 10 $aChe c'è da guardare? /$cAndrea Porcheddu.
246 1 $iSubtitle on cover$aCritica di fronte al teatro sociale d'arte
264 1 $aImola, Bologna, IT :$bCue Press,$c[2017]
300 $a123 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aIl contemporaneo
504 $aIncludes bibliographical references (pages 116-118) and index.
650 0 $aTheater and society$zItaly$xHistory$y21st century.
650 0 $aCultural pluralism in literature.
650 0 $aTheater$zItaly$xHistory$y21st century.
650 0 $aItalian drama$y21st century$xHistory and criticism.
830 0 $aIl contemporaneo.
856 42 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio12581904$3TOC
852 00 $bglx$hPN2684.2$i.P67 2017