MARC Record from marc_columbia

LEADER: 01980cam a2200409Ii 4500
001 12979986
005 20180219161202.0
008 171117t20172017be a c 000 0 fre d
020 $a9789492321633
020 $a9492321637
035 $a(OCoLC)on1020037064
035 $a(OCoLC)1020037064
035 $a(NNC)12979986
040 $aMZA$beng$erda$cMZA
041 1 $aeng$afre
050 4 $aNB673.D448$bA4 2017
100 1 $aDeguislage, Delphine,$d1980-$eartist.
240 10 $aWorks.$kSelections
245 10 $aFight, fore, free, to, one /$cDelphine Deguislage ; éditeurs Delphine Deguislage & Esther Le Roy ; textes Fabienne Audéoud.
250 $a1re édition.
264 1 $aGhent, Belgium :$bMER. Paper Kunsthalle,$c[2017]
264 4 $c©2017
300 $a112 unnumbered pages of plates :$billustrations (some color) ;$c30 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCover title.
500 $aVolume consists entirely of illustrations; essay by Fabienne Audéoud, artist's acknowledgements, list of works and publication information printed on inside of folding front cover.
500 $aLimited edition of 300 copies.
520 0 $aDelphine Deguislage is staging sculpted limbs from a female body, which is both almighty and fragmented, together with reinterpreted household objects and tools, as well as distorted architectural fragments. Often chosen for their function and/or their symbolic significance, they concentrate forms of intensities. Posed and exposed, they seem to be reclaiming both a physical and mental realm.
546 $aFrench and English.
600 10 $aDeguislage, Delphine,$d1980-$vCatalogs.
650 0 $aSculpture, Belgian$y21st century$vCatalogs.
700 1 $aAudéoud, Fabienne,$eauthor.
710 2 $aMER Paper Kunsthalle (Ghent, Belgium),$epublisher.
852 00 $boff,fax$hNB673.D448$iA4 2017g