MARC Record from marc_columbia

LEADER: 03265cam a2200421Ii 4500
001 12915400
005 20171220112919.0
008 171031t20172017nyua bc 001 0 eng d
010 $a 2017950637
020 $a9781633450301
020 $a1633450309
024 8 $zMoMA 2388
035 $a(OCoLC)ocn975487971
035 $a(OCoLC)975487971
035 $a(NNC)12915400
040 $aBTCTA$beng$cBTCTA$dYDX$dBDX$dERASA$dMMX$dOCLCO
043 $an-us-ny
050 4 $aN6490
050 4 $aNX456.5.P38$bC58 2017
082 04 $a700.411
245 00 $aClub 57 :$bfilm, performance, and art in the East Village 1978-1983 /$cedited by Ron Magliozzi and Sophie Cavoulacos.
264 1 $aNew York :$bMuseum of Modern Art,$c[2017]
264 4 $c©2017
300 $a184 pages :$bcolor illustrations;$c28 cm
500 $aCatalog of an exhibition held October 31, 2017-April 1, 2018.
500 $a"Club 57: Film, Performance, and Art in the East Village, 1978-1983 is the first major exhibition to fully examine the scene-changing, interdisciplinary life of this seminal downtown New York alternative space. The exhibition will tap into the legacy of Club 57's founding curatorial staff--film programmers Susan Hannaford and Tom Scully, exhibition organizer Keith Haring, and performance curator Ann Magnuson--to examine how the convergence of film, video, performance, art, and curatorship in the club environment of New York in the 1970s and 1980s became a model for a new spirit of interdisciplinary endeavor. Responding to the broad range of programming at Club 57, the exhibition will present their accomplishments across a range of disciplines--from film, video, performance, and theater to photography, painting, drawing, printmaking, collage, zines, fashion design, and curating. Building on extensive research and oral history, the exhibition features many works that have not been exhibited publicly since the 1980s."--Museum of Modern Art website (viewed on October 20, 2017)
520 8 $a"The East Village of the 1970s and 1980s continues to thrive in the global public's imagination. Located in the basement of a Polish Church at 57 St. Marks Place, Club 57 (1978-83) began as a no-budget venue for music and film exhibitions, and quickly took pride of place in a constellation of countercultural venues in downtown New York fueled by low rents, the Reagan presidency, and the desire to experiment with new modes of art, performance, fashion, music, and exhibition. A center of creative activity in the East Village, Club 57 is said to have influenced virtually every club that came in its wake."--Museum of Modern Art website (viewed on October 20, 2017)
504 $aIncludes a videography (page 178-180) and index.
650 0 $aArts, Modern$y20th century$vExhibitions.
650 0 $aPerformance art$zNew York (State)$zNew York$vExhibitions.
650 0 $aNineteen seventies$vExhibitions.
650 0 $aNineteen eighties$vExhibitions.
610 20 $aClub 57 (New York, N.Y.)$vExhibitions.
610 20 $aClub 57 (New York, N.Y.)$xInfluence$vExhibitions.
700 1 $aMagliozzi, Ronald S.,$d1949-$eeditor.
700 1 $aCavoulacos, Sophie,$eeditor.
710 2 $aMuseum of Modern Art (New York, N.Y.)
852 00 $bfaxlc$hNX456.5.P38$iC58 2017g