MARC Record from marc_columbia

LEADER: 04108pam a2200529 i 4500
001 12911424
005 20171120155544.0
008 170713t20182018nyua b 001 0 eng
010 $a 2017018652
019 $a975453778$a975878943$a976114421$a976223870$a978466165$a978917316
020 $a9781138244061$qhardcover$qalkaline paper
020 $a1138244066$qhardcover$qalkaline paper
024 $a40027563521
035 $a(OCoLC)ocn975369245
035 $a(OCoLC)975369245$z(OCoLC)975453778$z(OCoLC)975878943$z(OCoLC)976114421$z(OCoLC)976223870$z(OCoLC)978466165$z(OCoLC)978917316
035 $a(NNC)12911424
040 $aDLC$beng$erda$cDLC$dBTCTA$dYDX$dOCLCO$dBDX$dOCLCF$dNhCcYBP
042 $apcc
050 00 $aPN56.S7357$bS763 2018
082 00 $a808/.036$223
245 00 $aStorytelling and ethics :$bliterature, visual arts, and the power of narrative /$cedited by Hanna Meretoja and Colin Davis.
246 20 $aLiterature, visual arts, and the power of narrative
264 1 $aNew York, NY :$bRoutledge,$c2018.
264 4 $c©2018
300 $ax, 314 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aRoutledge interdisciplinary perspectives on literature ;$v80
504 $aIncludes bibliographical references and index.
520 $a"In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history. The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling" --$cProvided by publisher.
650 0 $aStorytelling.
650 0 $aNarration (Rhetoric)$xMoral and ethical aspects.
650 0 $aNarration (Rhetoric)$xSocial aspects.
650 0 $aNarration (Rhetoric)$xPsychological aspects.
650 0 $aEthics in literature.
650 0 $aArts$xMoral and ethical aspects.
650 7 $aArts$xMoral and ethical aspects.$2fast$0(OCoLC)fst00817783
650 7 $aEthics in literature.$2fast$0(OCoLC)fst00915860
650 7 $aNarration (Rhetoric)$xMoral and ethical aspects.$2fast$0(OCoLC)fst01032928
650 7 $aNarration (Rhetoric)$xPsychological aspects.$2fast$0(OCoLC)fst01032930
650 7 $aNarration (Rhetoric)$xSocial aspects.$2fast$0(OCoLC)fst01032932
650 7 $aStorytelling.$2fast$0(OCoLC)fst01134169
700 1 $aMeretoja, Hanna,$d1977-$eeditor,$eauthor.
700 1 $aDavis, Colin,$d1960-$eeditor,$eauthor.
830 0 $aRoutledge interdisciplinary perspectives on literature ;$v80.
852 00 $bglx$hPN56.S7357$iS763 2018