MARC Record from marc_columbia

LEADER: 04404cam a2200697Ii 4500
001 12904972
005 20211217141712.0
008 171013t20172017nyua bc 000 0deng d
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050 4 $aN6923.P5$bA4 2017
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082 04 $a700.411
049 $aZCUA
100 1 $aPistoletto, Michelangelo,$d1933-$eartist.
245 10 $aMichelangelo Pistoletto :$bthe minus objects, 1965-1966 /$ceditorial team, Tiffany Edwards, Julia Speed, Lisa Varghese.
246 30 $aMinus objects, 1965-1966
264 1 $aNew York :$bLuhring Augustine ;$aMunich :$bDelMonico Books, Imprint of Prestel,$c[2017]
264 4 $c©2017
300 $a184 pages :$billustrations (chiefly color) ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
386 $nnat$aItalians$2lcdgt
500 $aCatalog of an exhibition held at the Luhring Augustine Gallery, New York, December 18, 2013 - May 11, 2014.
546 $aIn English, with an introduction in English and Italian.
504 $aIncludes bibliographical references.
520 8 $aFour years after his iconic mirror paintings catapulted him to international acclaim, Michelangelo Pistoletto took an abrupt left turn with his series, the 'Minus Objects'. Comprised of 28 disparate objects-an oversize cardboard rose; an industrial lamp casting green light; a minimalist iron sculpture-the Minus Objects break with the notion of a signature style and are symbolic of infinite creative possibilities. As an ensemble, it minimizes the role of authorship, permitting each enigmatic object to speak for itself as autonomous and self-sufficient. Pistoletto is one of Italy's most important and influential artists, and this book celebrates the creation of the 'Minus Objects' as a radical turning point in postwar sculpture and conceptual art. The installation is represented in double-page spreads and the entire volume is designed to appear as a discrete object itself. Along with Pistoletto's original artist statement and transcripts of conversations about his work, this volume brings together critical analyses from some of the leading voices of the contemporary art world. Together, the images and texts in this book serve to position the 'Minus Objects' as a work of stunning originality and historical significance.
505 0 $aIntroduction / Roland Augustine, Lawrence Luhring, Lisa Varghese, Michelangelo Pistoletto -- Works: Minus objects, 1965-1966 -- Essay / Anthony George White -- Installation: Luhring Augustine Bushwick, December 2013-May 2014 -- Conversations: Michelangelo Pistoletto and Carlos Basualdo ; Michelangelo Pistoletto and Germano Celant -- History: Exhibition timeline -- Notes.
600 10 $aPistoletto, Michelangelo,$d1933-$vExhibitions.
600 10 $aPistoletto, Michelangelo,$d1933-$vInterviews.
600 17 $aPistoletto, Michelangelo,$d1933-$2fast$0(OCoLC)fst00129255
650 0 $aConceptual art$zItaly$vExhibitions.
650 7 $aConceptual art.$2fast$0(OCoLC)fst00872980
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
650 7 $aART$xGeneral.$2bisacsh
655 7 $aExhibition catalogs.$2lcgft
655 7 $aInterviews.$2lcgft
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028.
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
700 1 $aEdwards, Tiffany,$eeditor.
700 1 $aSpeed, Julia,$eeditor.
700 1 $aVarghese, Lisa,$eeditor.
710 2 $aLuhring Augustine (Gallery),$ehost institution.
710 2 $aWax Studios,$ebook designer.
852 00 $bfaxlc$hN6923.P5$iA4 2017g
852 80 $brbx$kAIGA$h2018$i24