MARC Record from marc_columbia

LEADER: 04840cam a2200661 i 4500
001 12216569
005 20161219172014.0
008 161024s2016 dcua bc f001 0deng c
010 $a 2016028114
020 $a9780226425108$qhardcover
020 $a022642510X$qhardcover
035 $a(OCoLC)ocn952226529
035 $a(OCoLC)952226529
035 $a(NNC)12216569
040 $aDGPO/DLC$beng$erda$cGPO$dDLC$dOCLCO$dOCLCF$dOCLCO$dERASA$dNMWMA$dCAM$dOCLCO$dFAMSF$dYDX$dYDX
042 $apcc
043 $an-us-ca$an-us-ny
050 00 $aN8660.D87$bM49 2016
082 00 $a709.2$223
086 0 $aSI 8.2:D 96
100 1 $aMeyer, James Sampson,$d1962-$eauthor.
245 10 $aLos Angeles to New York :$bDwan Gallery, 1959-1971 /$cJames Meyer, with Paige Rozanski and Virginia Dwan.
246 30 $aDwan Gallery, 1959-1971
264 1 $aWashington :$bNational Gallery of Art ;$aChicago ;$aLondon :$bIn association with The University of Chicago Press,$c[2016]
300 $a408 pages :$billustrations (some color) ;$c29 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"The exhibition Los Angeles to New York: The Dwan Gallery, 1959-1971 is organized by the National Gallery of Art, Washington"--Title page verso.
500 $a"Exhibition dates: National Gallery of Art, September 30, 2016-January 29, 2017; Los Angeles County Museum of Art, March 19-September 10, 2017"--Title page verso.
504 $aIncludes bibliographical references (pages 392-396) and index.
505 00 $tForewords, Washington and Los Angeles --$tNote to the Reader --$tLenders to the Exhibition --$tThe Art Gallery in an Era of Mobility /$gJames Meyer --$tPlates --$tWritings /$rVirginia Dwan --$tVirginia Dwan Chronology /$rPaige Rozanski --$tExhibition History: Dwan Gallery, Los Angeles and New York /$rPaige Rozanski --$tChecklist of Works in the Exhibition --$tNotes --$tSelected Bibliography.
520 $aVirginia Dwan, founder of leading avant-garde galleries in Los Angeles and New York between 1959 and 1971, was a major force in an art world made increasingly mobile by commercial jets and the interstate highway system. New York artists Franz Kline, Philip Guston, Ad Reinhardt, Robert Rauschenberg, and Claes Oldenburg, along with the Los Angeles-based Edward Kienholz, were among those who had shows in Dwan's Westwood gallery. A keen follower of the Parisian art scene, Dwan also gave Yves Klein and Martial Raysse their American debuts. Her 1962 group show My Country 'Tis of Thee is among the earliest exhibitions of pop art. Dwan supported artists who challenged the limits of art's status as both object and commodity and who eventually developed an art sited outside the gallery in remote locations in the American West. If the Los Angeles gallery featured abstract expressionism, neo-Dada, and pop, the New York branch broke ground with brilliant presentations of minimalism (10, 1966), conceptual art (Language II-IV, 1968 - 1970), and land art featuring the work of Carl Andre, Sol LeWitt, Robert Morris, and others (Earthworks, 1968). Dwan sponsored iconic earthworks such as Robert Smithson's Spiral Jetty, Michael Heizer's Double Negative, Walter De Maria's 35-Pole Lightning Field, and Charles Ross's Star Axis. This is the storied history of the Dwan Gallery told by an astute scholar of modern art, the gallerist herself, and a meticulous researcher.
600 10 $aDwan, Virginia.
600 10 $aDwan, Virginia$vExhibitions.
610 20 $aDwan Gallery (Los Angeles, Calif.)$xHistory.
610 20 $aDwan Gallery (New York, N.Y.)$xHistory.
600 17 $aDwan, Virginia.$2fast$0(OCoLC)fst00180451
610 27 $aDwan Gallery (Los Angeles, Calif.)$2fast$0(OCoLC)fst00751245
610 27 $aDwan Gallery (New York, N.Y.)$2fast$0(OCoLC)fst00750002
650 0 $aArt, Modern$y20th century$vExhibitions.
650 0 $aWomen art dealers.
650 0 $aWomen art patrons.
650 0 $aArt galleries, Commercial$zCalifornia$zLos Angeles.
650 0 $aArt galleries, Commercial$zNew York (State)$zNew York.
650 7 $aGallerists.$2aat
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aRozanski, Paige,$ewriter of added commentary.
700 1 $aDwan, Virginia,$ewriter of added commentary.
710 2 $aNational Gallery of Art (U.S.).$bPublishing Office,$epublisher.
710 2 $aUniversity of Chicago.$bPress,$epublisher.
710 2 $aNational Gallery of Art (U.S.),$eissuing body,$ehost institution.
710 2 $aLos Angeles County Museum of Art,$ehost institution.
852 00 $bfaxlc$hN8660.D87$iM49 2016