MARC Record from marc_columbia

LEADER: 03722cam a2200481Ii 4500
001 12207744
005 20161123130910.0
008 150519t20152015bl ac bc 000 0 por d
020 $a9788583460213
020 $a8583460213
035 $a(OCoLC)ocn909424967
035 $a(OCoLC)909424967
035 $a(NNC)12207744
040 $aAS0$beng$erda$cAS0$dAS0$dOCLCO$dOCLCF$dOCLCO$dMMX$dOCLCO$dH7K$dJPG$dOCLCO$dNNC
050 4 $aTR647$b.E27x 2015
100 1 $aEggleston, William,$d1939-$ephotographer.
240 10 $aPhotographs.$kSelections
245 10 $aWilliam Eggleston :$ba cor americana /$cThyago Nogueira (curadoria e organizaç̧ão) ; com textos de Richard B. Woodward, David Byrne, Geoff Dyer e John Szarkowski.
246 30 $aCor americana
264 1 $aSão Paulo :$bIMS,$c[2015]
264 4 $c©2015
300 $a156 pages :$billustrations (chiefly color), portraits ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTitle on page [58].
500 $aPublished in conjunction with an exhibition at the Instituto Moreira Salles, Rio de Janeiro, March 14-June 28, 2015.
504 $aIncludes bibliographical references.
505 8 $aUm quebra-cabeça extraordinário / Thyago Nogueira -- O laboratório de William Eggelston / Richard B. Woodward -- De olhos fechados / David Byrne -- Eles / Geoff Dyer -- Introdução ao "Guia de William Eggelston (1976) / John Szarkowsk.
520 $a"William Eggleston, American Color" is one of the biggest exhibitions ever done on the photographer and will bring to Brazil for the first time an extensive selection of works from 1960's and 1970's, considered to be Egglestonœs golden years. One of the rooms will feature many of the photos included in the legendary 1976 exhibition at MoMA. Two other rooms will present the famous portfolio Los Alamos, which resulted from a series of road trips around the Mississippi Delta and all the way to California from 1965 to 1974. The photos on display will include over 150 rare and delicate photographs made through dye-transfer, a near-extinct printing technique, which became the artistœs trademark for allowing him a precise control of color and intense saturation. To those who are already familiar with Egglestonœs work, the exhibition will also feature lesser-known, but still important works from the period. Among them, the formidable set of portraits made on bars and streets with a large format camera in 1974 and known as 5x7, in reference to the size of the film used. A set of five black and white photos, made before Eggleston embraced color definitively, will also be on display. The experimental film Stranded in Canton, shot in black and white in 1973 and 1974, with improvisations, performances and intimate footage of family members and friends in the bars of New Orleans will also be on view.
600 10 $aEggleston, William,$d1939-$vExhibitions.
650 0 $aPhotography, Artistic$vExhibitions.
600 17 $aEggleston, William,$d1939-$2fast$0(OCoLC)fst00041328
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aNogueira, Thyago,$d1976-$eorganizer.
700 1 $aWoodward, Richard,$d1953-$ewriter of supplementary textual content.
700 1 $aByrne, David,$d1952-$ewriter of supplementary textual content.
700 1 $aDyer, Geoff,$ewriter of supplementary textual content.
700 1 $aSzarkowski, John,$ewriter of supplementary textual content.
710 2 $aInstituto Moreira Salles,$ehost institution.
852 00 $boff,fax$hTR647$i.E274 2015g