MARC Record from marc_columbia

LEADER: 03969cam a2200529Ii 4500
001 12172515
005 20170117120912.0
008 160909t20162016gw a bc 000 0deng d
020 $a377574102X
020 $a9783775741026
035 $a(OCoLC)ocn933585490
035 $a(OCoLC)933585490
035 $a(NNC)12172515
040 $aYDXCP$beng$erda$cYDXCP$dERASA$dBDX$dOCLCQ$dTJC$dOCLCO$dMAC$dOCLCF$dOCLCO$dGZN$dOCLCO$dOHX$dJPG
050 4 $aN6537.H398$bA4x 2016
072 7 $aN$2lcco
100 1 $aHershman-Leeson, Lynn,$d1941-$eartist.
240 10 $aWorks.$kSelections
245 10 $aLynn Hershman Leeson :$bcivic radar /$ced. by Peter Weibel.
246 30 $aCivic radar
264 1 $aOstfildern :$bHatje Cantz,$c[2016]
264 4 $c©2016
300 $a383 pages :$billustrations (chiefly color) ;$c27 cm
336 $atext$2rdacontent
336 $astill image$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
500 $aExhibition held at ZKM, Museum of Contemporary Art, Karlsruhe, December 13, 2014-April 6, 2015; Deichtorhallen Hamburg/Falckenberg Collection, June 14, 2015-January 17, 2016; Lehmbruck Museum Duisburg, February 27-June 5, 2016.
504 $aIncludes bibliographical references (pages 376-382).
505 0 $a1963-1972 -- The Work of Lynn Hershman Leeson: A Panoply of Identities -- Genealogy in Wax -- 1973-1975 -- The Roberta Breitmore Series: Performing Co-Identity -- 1976-1979 -- Landscape of Tremors: Lynn Hershman Leeson, Toward an Intellectual History -- 1979-1893 -- Conversation -- 1983-1984 -- Interview with Lynn Hershman Leeson -- 1985-1991 -- Face, Surface, Interface: The Motif of the Mask in the Work of Lynn Hershman Leeson -- 1992-1995 -- Global Space Invaders: The Social Interventions of The Floating Museum -- 1995-2000 -- California Dreaming: The Cinematic Fusions of Lynn Hershman Leeson -- Letter to Lynn -- 2002-2007 -- (No) Vacancy -- 2008-2011 -- Conversation -- Since 2012 -- The Infinity Engine -- Lynn Hershman Leeson Civic Radar -- Texts 1984-2014
520 $a"First comprehensive monograph, compiled in close collaboration with the artist. Lynn Hershman Leeson is among the first and most influential of media artists. During the past five decades she has achieved pioneering work in the fields of photography, video, film, performance, installation and interactive and net-based media art. The major themes of Hershman Leeson are the construction of identity, monitoring and control, and life in the era of genetic engineering. Her most influential performance work is Roberta Breitmore (1973-78) - the fictional character that she, then three subsequent female personas, enacted in real time and space, using artifacts of the time. In her most recent works, Lynn Hershman Leeson includes web applications, mass communication media such as smart-phones, as well as the latest scientific developments in the field of genetics and regenerative medicine including 3D bioprinters that create human body parts." from publisher's website.
600 10 $aHershman-Leeson, Lynn,$d1941-$vExhibitions.
650 0 $aArt, American$y21st century$vExhibitions.
650 0 $aPerformance art$vExhibitions.
650 0 $aInstallations (Art)$vExhibitions.
600 17 $aHershman-Leeson, Lynn,$d1941-$2fast$0(OCoLC)fst00371480
650 7 $aArt, American.$2fast$0(OCoLC)fst00815895
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
650 7 $aPerformance art.$2fast$0(OCoLC)fst01057852
648 7 $a2000-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aWeibel, Peter,$eeditor.
710 2 $aZentrum für Kunst und Medientechnologie Karlsruhe,$ehost institution.
710 2 $aMuseum für Neue Kunst (Karlsruhe, Germany),$ehost institution.
710 2 $aSammlung Falckenberg,$ehost institution.
710 2 $aWilhelm Lehmbruck Museum Duisburg,$ehost institution.
852 00 $bfaxlc$hN6537.H398$iA4 2016g