| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:57049319:1470 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:57049319:1470?format=raw |
LEADER: 01470cam a2200325M 4500
001 12168746
005 20161027185907.0
008 150810s2016 stk 000 0 eng d
019 $a934606453
020 $a9780748693528$qhardcover
020 $a0748693521$qhardcover
024 $a40026330804
035 $a(OCoLC)ocn917362205
035 $a(OCoLC)917362205$z(OCoLC)934606453
035 $a(NNC)12168746
040 $aERASA$beng$cERASA$dBDX$dOCLCQ$dYDXCP$dNhCcYBP
043 $ae-it---
050 4 $aPN1995.9.H6$bI53 2016
082 04 $a791.43/6164$223
245 00 $aItalian horror cinema /$cedited by Stefano Baschiera and Russ Hunter.
260 $aEdinburgh :$bEdinburgh University Press,$cc2016.
300 $axi, 228 p. ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aCovering the fundamental aspects of Italian horror cinema and written by experts in the field, this book engages with the genres transnational form of production and distribution, critical reception, relationship between horror and Italian art cinema, use of sound and legacy. Case studies include 'The Girl Who Knew Too Much' (1963), 'Zombie 2' (1973), 'Deep Red' (1975), 'The Stendhal Syndrome' (1996), 'The Last House in the Woods' (2006) and 'Bay of Blood' (1971).
650 0 $aHorror films$zItaly.
700 1 $aBaschiera, Stefano.
700 1 $aHunter, Russ.
852 00 $bglx$hPN1995.9.H6$iI53 2016